27 October – 19 November

Live Language Model

Artist Carmen-Sibha Keiso presents a continuation of her exhibition, featuring new works that explore ambivalence and the bystander’s gaze. The show includes sculptural and installation pieces alongside printed editions by Fabrice Gygi, Roman Signer and Marie Sacconi. A recently published volume by Keiso accompanies the presentation, extending the exhibition’s themes into a printed, multi-voiced format. The installation work favours material contrasts and subtle gestures that probe perception, memory and relational dynamics.

Opening: Friday 23 October, 18:00

Rue des Rois 15,
1204 Genève
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Photo Credit: Carmen Sibha-Keiso, 2026

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10 October – 21 November

What Connects Us brings together Susanna Bauer, Michele Landel and Hannah Schmider in a collective exhibition that examines encounters between nature, memory and craft. Delicate crochet, embroidered photographs on reclaimed bed linens and figurative wooden sculptures form a quiet vocabulary that probes human–animal relationships and domestic ecologies. The works emphasise material histories and gesture, inviting careful looking and conversations about care, fragility and the traces left by interspecies bonds.

Opening: 10 October, 11:00 – 15:00

18 September – 25 October

Swiss artist Séverin Guelpa presents Rift, a vast immersive installation that shapes a sonic and telluric twilight. The work stages the fault as a porous space of listening, passage and transformation, where subterranean sounds converse with human voices and instrumental resonances. The presentation includes a live sound performance and collaborative vocal interventions with Varoujan Chetirian (sound composition), Antoine Läng (vocals and instrument) and Yvonne Harder (vocals), articulating material, temporal and acoustic relations.

Opening: Friday 18 September, 18:00

29 January – 25 October

John M Armleder presents an interchange-based exhibition that foregrounds objects drawn from students’ suitcases. Through object-based works and subtle interventions, the show probes modes of observation, intimacy and collective memory. Personal belongings are rearranged as visual prompts that evoke histories, pedagogy and everyday cinematics. The artist’s restrained interventions invite reflection on how small domestic items circulate meanings and facilitate encounters, revealing how private narratives surface within a communal field of attention.

16 September – 4 November

Béchir Boussandel presents a body of work that unfolds from shadow and the heat of desert palettes. Through paintings, sculptures and delicate bird watercolours populated by anonymous figures, he examines displacement, crossing and survival within North African desert landscapes. The pieces use ochres, reds and material contrast to evoke memory and shifting identities, employing an atmospheric visual language that balances figuration and absence.

13 October – 15 November

Dance First Think Later brings together choreographers, performers, visual artists and videographers to investigate convergences between dance, performance and moving image. The exhibition combines installations, video works, sculptures, drawings, scores and archival materials alongside durational performances.
Through embodied gestures and staged movement, the programme examines how bodies register history, politics, migration, gender, urban space, ecology and technology. Curated by O. Kaeser, the project foregrounds relational practices that reveal and question the choreographies shaping social and spatial life.

18 September – 15 November

Conceived by artist Pauline Coquart, Short Ass Attention Span #3 mixes literary experiment and live performance, assembling texts that range from apocalyptic sketches to risqué autofiction and political essays on sexuality. Editors and collaborators Ethan Assouline and Gaia Vincensini shaped the selection and the edition’s visual identity, while attentive editorial direction and inventive layout treat writing as performative material. The project foregrounds plural contemporary voices, shifting between intimate confession, sharp aphorism and sprawling narrative to create a charged, porous atmosphere.

Opening: 17 September, 18:00
Geneva Art Week: 17-21 September
Guided Tour: 20 September, 11:00
Late night opening: 12 November, 18:00
Closing: 15 November, 16:00

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