18 September – 25 October

Solo Séverin Guelpa – Rift

Swiss artist Séverin Guelpa presents Rift, a vast immersive installation that shapes a sonic and telluric twilight. The work stages the fault as a porous space of listening, passage and transformation, where subterranean sounds converse with human voices and instrumental resonances. The presentation includes a live sound performance and collaborative vocal interventions with Varoujan Chetirian (sound composition), Antoine Läng (vocals and instrument) and Yvonne Harder (vocals), articulating material, temporal and acoustic relations.

Opening: Friday 18 September, 18:00

Chemin du Champ-des-Filles 36a,
1228 Plan-les-Ouates
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21 June – 21 September

Cécile Koepfli creates a site-specific window installation of colorful, poetic drawings. Mischievous characters, everyday objects, and fragments of text assemble into a playful, sensitive imaginary world. The works, rendered directly on window panes, unfold as tableaux and narrative vignettes that invite viewers to imagine the activities and encounters that will animate the space.
A seek-and-find game encourages close looking and slow discovery across the illustrated surfaces.

16 September – 31 October

Le Nouveau Réalisme brings together works by Arman, César, Christo, François Dufrêne, Yves Klein, Niki de Saint Phalle, Mimmo Rotella, Daniel Spoerri, Jean Tinguely and Jacques Villeglé to examine the movement’s poetic reworking of urban detritus. The exhibition presents sculptures, assemblages, collages and interventions that displace found objects from everyday contexts, juxtaposing industrial materials, advertising fragments and ready‑mades. Through material play and détournement, the show explores urban consumption, collective memory and the politics of visibility.

Opening (Geneva Art Week): Wednesday 16 September, 16:00

17 September – 24 October

Curated by Leticia Maciel, Flora Incognita brings together works by David Elia, Marius Margot, Vivianne van Singer, Heberth Sobral and Vasilis Zografos to explore unclassified plant worlds as a metaphor for artistic practices that resist fixed categories. Ceramics form a central thread: clay appears as a material of memory and transformation in Sobral’s, Zografos’s and Elia’s work. Elia’s cyanotypes probe botanical archives and classification systems, van Singer investigates colour and perception, and Margot proposes speculative vegetal ecologies where nature and fiction converge.

Opening : 17 September, 18:00

17 September – 7 November

Unfamiliar, Luminous, Remote marks Amit Berman’s first solo exhibition at the gallery, following an artist residency in Switzerland earlier this year. Bringing together a new body of paintings, the exhibition explores intimacy, memory and vulnerability through expressive gestures, visible layers of paint and atmospheric compositions. Moving between quiet domestic interiors, fragments of landscape and solitary figures, Berman’s works reflect on the fragile space between familiarity and estrangement, connection and withdrawal.

Created against a backdrop of war and emotional precarity, these intimate yet unsettled paintings reveal a persistent search for connection and belonging within an unstable reality.

Opening: Thursday 17 September, 18:00

Talk: Sunday 20 September, 14:30-15:30 with curator Danniel Tostes and Amit Berman.

14 September – 17 October

Through textiles, photography, performance, and writing, Vanessa Riera explores the visible and invisible burdens that permeate women’s experiences: norms, legacies, and inherited traumas, but also care, healing, and resistance. The title evokes those micromovements that allow the body to endure, adapt, and transform—gestures sometimes imperceptible, yet profoundly meaningful.

Opening during Geneva Art Week on September 16, 18:00

16 September – 31 October

Antoni Tàpies presents the complete series “Variations on a Musical Theme”, twenty lithographs created in 1987. The suite reveals Tàpies’s fascination with the interplay between visual art and music: each variation establishes its own rhythm, material presence and visual language. Treated as a continuous sequence, the works unfold like a musical score, inviting an immersive reading of process, texture and symbolic gesture within the artist’s graphic practice.

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