18 September – 15 November

Short Ass Attention Span #3

Conceived by artist Pauline Coquart, Short Ass Attention Span #3 mixes literary experiment and live performance, assembling texts that range from apocalyptic sketches to risqué autofiction and political essays on sexuality. Editors and collaborators Ethan Assouline and Gaia Vincensini shaped the selection and the edition’s visual identity, while attentive editorial direction and inventive layout treat writing as performative material. The project foregrounds plural contemporary voices, shifting between intimate confession, sharp aphorism and sprawling narrative to create a charged, porous atmosphere.

Opening: 17 September, 18:00
Geneva Art Week: 17-21 September
Guided Tour: 20 September, 11:00
Late night opening: 12 November, 18:00
Closing: 15 November, 16:00

Rue de Chantepoulet 1-3
Photo Credit: Visuel : Ethan Assouline. Logo : Gaia Vincensini
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Photo Credit: Visuel : Ethan Assouline. Logo : Gaia Vincensini

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8 September – 30 October

Piece of Love is a collective exhibition inspired by Michelangelo Pistoletto’s Third Paradise, bringing together student projects and works by around fifteen international artists. Dedicated to life, humanity and peace, the exhibition explores our relationship with nature, each other and the world around us, inviting visitors to imagine a more sustainable and harmonious future.

Opening: Tuesday 8 September at 17:00

17 September – 7 November

Unfamiliar, Luminous, Remote marks Amit Berman’s first solo exhibition at the gallery, following an artist residency in Switzerland earlier this year. Bringing together a new body of paintings, the exhibition explores intimacy, memory and vulnerability through expressive gestures, visible layers of paint and atmospheric compositions. Moving between quiet domestic interiors, fragments of landscape and solitary figures, Berman’s works reflect on the fragile space between familiarity and estrangement, connection and withdrawal.

Created against a backdrop of war and emotional precarity, these intimate yet unsettled paintings reveal a persistent search for connection and belonging within an unstable reality.

Opening: Thursday 17 September, 18:00

Talk: Sunday 20 September, 14:30-15:30 with curator Danniel Tostes and Amit Berman.

19 – 27 September

Photographer Jörg Brockmann and ceramist Youlichka Fioramonti present a joint exhibition that transposes the human body onto porcelain through cyanotype processes. Brockmann’s images are photographed and printed onto film, then transferred onto light-sensitive porcelain plates before firing. Fioramonti’s ceramic practice engages this material translation, emphasizing the interplay of light, chemistry and fire. The works probe material transformation, the role of chance within analogue techniques and a dialogue between photographic form and crafted surface.

17 September – 3 November

Geneva based artist Gregory Bourrilly presents seven sculptures and a photograph that reconsider human-centered narratives in favor of ecological processes. Since 2018 his practice explores living dynamics and natural phenomena, imagining a posthuman world where human culture gradually yields to vegetal and animal recolonization. The works combine sculptural forms and photographic framing to evoke material transformation, decay and emergence, proposing alternative imaginaries of coexistence beyond anthropocentrism.

Opening: Thursday 17 September, 18:00

19 – 27 September

Amélie Patry presents a body of ceramic work rooted in the landscapes of the Loire Valley. Through long walks she collects soils, stones and vegetal matter which she incorporates directly into her vessels. Her process—digging, carrying and shaping—follows a slow attentiveness to material transformation. Fired in the kiln, these gathered elements yield irregular surfaces and textured skins that suggest mineral reliefs and fossil fragments, connecting body, landscape and layered temporalities.

19 – 27 September

Capucine Pageron presents a series of miniature ceramic interiors in which a female figure performs everyday gestures. Bedrooms, kitchens and bathrooms freeze familiar actions in intimately scaled scenes that blend matte and glossy textures. Vivid glazes articulate a compact, anachronistic visual language, where domestic habit becomes sculptural tableau. The works foreground material tactility and the quiet choreography of ordinary acts, inviting close attention to form, color and the poetics of domestic space.

Opening: 19 septembre 11:00 – 17:00, in the presence of the artist
Closing: 27 septembre 11:00 – 17:00, in the presence of the artist

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