“Nazali Elikya” means “I am hope”: a phrase that places hope at the heart of this theatrical encounter. The work’s title opens a space for reflection on what it means to hold on to possibility, and on the quiet strength carried by such a declaration. With its French subtitle, the production invites audiences to approach hope not as an abstract idea, but as a human presence to contemplate and share.
In French.
Trumpeter Paolo Fresu, vocalist David Linx and pianist Gustavo Beytelmann reunite in Trama Latina, a musical dialogue that blends jazz and Latin traditions. Drawing on their personal journeys — Argentina, Belgium shaped by American influences, Sardinia — the trio weaves a narrative of memory, travel and cultural exchange. Their delicate interplay, warm trumpet timbres and intimate piano textures are framed by subtle arrangements and lyrical improvisation. Presented in collaboration with JazzContreBand and co-presented by AGMJ and Chorus, this project accompanies the new album “Trama Latina.”
Electron Festival is one of Europe’s leading festivals dedicated to electronic culture, bringing together pioneering artists, musicians, visual creators, researchers, and audiences through an ambitious multidisciplinary programme. Exploring the intersections of electronic music, digital arts, audiovisual performance, technology, and club culture, the festival offers immersive concerts, live performances, exhibitions, workshops, talks, and participatory experiences that celebrate both artistic innovation and experimentation.
Initiated by Eve Risser, Ensemble Ensemble brings together five musicians whose roots in Romania, Norway, Alsace and the Dordogne fold folk fragments into an organic sound. Mari Kvien Brunvoll (vocals, electronics), George Dumitriu (violin, viola), Kim Myhr (guitar), Toma Gouband (drums) and Eve Risser (piano, flute, vocals) weave elemental textures where improvisation meets delicate composition. The music unfolds like a map of shared memory, intimate and exploratory, shifting between lyricism and raw rhythmic pulse.
Choreographed and performed by Geumhyung Jeong, this conference-performance blends video projection and sound to examine the uneasy relation between the human body and surrounding objects. Jeong revisits works from Homemade RC Toy (2019) to Under Construction (2024), sharing development anecdotes and reflections on robotics, installation and puppetry. By reworking gestures originally designed to animate objects and performing them without props, she exposes the body as material, using nudity and minimal staging to evoke ritual and altered agency.
Tatty MacLeod returns with a sharp, intimate stand-up exploring family, identity and the small rituals that shape us. Drawing on her viral fame as the ‘French TikTok Lady’, she humorously compares her mother’s life choices with her own, probing generational habits, expectations and tenderness. The show blends observational comedy with candid storytelling, offering warm, witty reflections on what it means to become who we are.
In English.
Two short plays by Anton Chekhov staged by Tibor Ockenfels and Flavie Tapparel, presented as compact dramatic machines where romantic comedy masks escalating confrontations between desire, affection and material interest. Performances rely on precise physical timing, terse exchanges and a lean, playful design to reveal the simmering violence behind courtship rituals. The three actors — Estelle Bridet, Matteo Prandi and Raphaël Vachoux — inhabit heightened character types that shift between farce and darker comic truth, creating a sharply observed, kinetic evening.
In French.
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