The Mercredis Art Party 2026 programme sets the tone for a series of alternative evenings at espace_L, with a calendar of events exploring the theme of diversity. Through performances, exhibitions and encounters, the programme invites collective reflection sparked by artists and their work, and is rooted in the relationship between the artist and the world around them.
This Wednesday marks the opening of a new exhibition by artist Emmanuelle Mohnblatt.
The MAH showcases Tonutopie, an innovative installation by German artist Hans-Walter Müller, a trailblazer in inflatable structures. This large, transparent, and habitable sphere, nestled within Vincent Lamouroux’s La Passerelle, offers a unique sensory experience. It delves into the contrasts between the fluidity of inflatable structures and the rigidity of traditional architecture, providing visitors with a fresh perspective on space.
La Cuisine des Collectionneurs is a convivial, evolving exhibition where contemporary art meets gastronomy. The project invites four collectors to curate walls from their personal collections. It blends scenography, shared collecting, and a collective display, extended into the kitchen through an ephemeral menu inspired by their worlds. Conceived as a living space, the exhibition unfolds with talks, meals, and gatherings over time, celebrating exchange, generosity, and the pleasure of art—on the walls and on the plate.
Mauren Brodbeck presents Imperfect Laughter, a series of unique risograph prints that foreground experimentation, sensuality and the beauty of error.
Through layered inks, bleeding, misalignment and photographic traces that appear and dissolve, the works combine printmaking and photographic gestures. Themes of bodily pleasure, spontaneity and the acceptance of accident run through the series. These unretouched pieces celebrate hesitation, overflow and the visible traces of moments when colour, touch and chance make images vibrate.
Discover the Flore des Dames de Genève, an early 19th-century collective masterpiece that brings together science, art, and society. In 1813, to preserve and study botanical drawings from Mexico loaned to Augustin-Pyramus de Candolle, nearly a thousand copies were made by hand in just eight days, mostly by women from Geneva’s high society. This guided visit showcases both the original drawings and their precious copies, preserving an exceptional scientific and artistic heritage.
Collectif Détente presents works that treat fabric and clothing as spectral carriers of memory. Through textile-based installations, sculptural garments, assemblage and a filmic element, artists including Ryan Gander, Meret Oppenheim and others probe domestic hauntings, hidden inheritance and collective fears. The show stages fragile, unsettling presences that revive interrupted stories and private traces, using material tactility and suspended forms to reveal how ordinary objects and living spaces keep visible and invisible histories in uneasy coexistence.
Curated by Matthias Sohr, Reserved for Groups brings together works by Florian Fouché, Mélody Lu, Xavier Robles de Medina, Orawan Arunrak, Florian Bonny, Stefania Carlotti, Chloé Delarue, Jean-Ulrick Désert, Marina Faust, Anne Duk Hee Jordan, Thomas Liu Le Lann, Pedro Marrero Fuenmayor, Lili Reynaud-Dewar, Kyung Roh Bannwart, Philipp Timischl, Ernie Wang, and Lauryn Youden. The exhibition explores subtle interventions within existing social and artistic contexts, presenting the artists’ work while making the gallery space more accessible.
Opening during the Nuit des Bains, Thursday 22 January, frpm 18:00.
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