1 – 2 December

La Nuit Transfigurée

Booking Required

Contrechamps presents a program pairing a newly commissioned work by Dzovinar Mikirditsian for string trio with Arnold Schoenberg’s Verklärte Nacht arranged for string sextet. The concert explores themes of transfiguration and chromatic intensity, weaving intimate chamber textures with expansive harmonies. The performers engage in a dialogue between contemporary compositional voice and late-Romantic expression, highlighting timbral contrasts, meticulous phrasing and emotional transformation across the programme.

Cour de Saint-Pierre 10,
1204 Geneva

Photo Credit: Ferdinand Hodler, Die Nacht, 1890

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Photo Credit: Ferdinand Hodler, Die Nacht, 1890

27 May – 25 June

Un Jackpot de rêve – comédie musicale

Performances

Théâtre de la Madeleine

Written and directed by Raphaëlle Farman, this musical comedy follows six eccentric lottery winners whose most improbable dreams suddenly come within reach. With the charismatic show host Macha and the scheming production director Florence, the ensemble embarks on escapades that leap from Arthurian chivalry to the surface of the moon. A troupe of spirited performers animates comic tableaux, while playful staging, brisk choreography and bursts of onstage magic create an exuberant, nostalgic atmosphere that celebrates imagination and folly.

In French.

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24 – 28 June

Une Simple Histoire / Tribute to Michel Bühler

Performances

Théâtre des Amis

Une Simple Histoire is a tender musical tribute to the late Michel Bühler, celebrating his songs, poetry and humanism. Directed by Roland Vouilloz, the staging brings together Sylvie Bourban (voice) and Jean-Philippe Zwahlen (guitar) in an intimate duet that traces Bühler’s storytelling and travels. The programme weaves folk-inflected arrangements and poetic narration to evoke memory, solidarity and the quiet truth of ordinary lives.

In French.

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18 – 28 June

Frank Zappa’s 200 Motels

Performances

BFM

Frank Zappa’s opera “200 Motels” is showing in Switzerland for the first time. This dynamic musical-theatrical piece is brought to life by director Daniel Kramer and conductor Titus Engel, featuring an impressive and diverse cast, including Robin Adams, Brenda Rae, and legendary guitarist Mike Keneally. Known for his iconic rock career, Zappa presents an experimental and psychedelic work that blends opera, rock, and contemporary classical music. “200 Motels” offers a chaotic and extravagant journey across the United States, mirroring the wild lives of Zappa and the Mothers of Invention.

In English with French subtitles.

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23 – 28 June

Spirale Workshops 1 and 2

Performances

La Parfumerie

Spirale Workshops 1 and 2 showcase a thirty-year practice of transmission, research and intergenerational exchange. Under the direction of Michele Millner (Atelier 1) and Cathy Sarr with Patrick Mohr (Atelier 2), the project blends devised creation and collective laboratories. Atelier 1 develops a decolonial, antipatriarchal and radical laboratory that dialogues with figures such as Lady Macbeth and Nina. Participants include Marie Bondolfi, Yves Cerf, Mael Godinat and Jeanne Pasquier.

In French.

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23 – 28 June

Three Queens

Performances

La Parfumerie

Directed by Michele Millner and devised collectively by Théâtre Spirale’s Atelier 1, Three Queens examines feminine violence and power through fragments of Macbeth, The Seagull, The Caucasian Chalk Circle and new texts by participants. The production gathers actors in raw, tactile staging, with musical composition by Mael Godinat and Yves Cerf, movement by Jeanne Pasquier, collaboration and performance by Marie Bondolfi, costumes by Julie Delieutraz and technical work by Jules Bovard. The piece is intimate, political and unsettling, mixing classical echoes and contemporary voices.

In French.

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10 – 26 June

Claudine (j’aime pas l’bonheur)

Performances

Théâtre Alchimic

Claudine (j’aime pas l’bonheur) is a re-creation by Marjolaine Minot that probes the ambivalence of happiness through intimate theatrical language. The piece blends restrained physicality and lyrical monologue to map memory, longing and domestic disquiet. Minimal scenic devices and attentive sound design carve spaces of emotion, while a small ensemble negotiates shifts between humour and melancholy. The production favours fragile gestures and precise rhythms to evoke an uneasy, poetic atmosphere.

In French.

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La Nuit Transfigurée