Seilen leads an electro‑inflected set blending hip-hop and soul, joined by collaborator Djagacida. The artist’s avant‑garde approach channels a rich cultural heritage through complex rhythms, reflective and socially engaged lyrics, and evolving sonic textures. Recent singles “Nightmares”, “Spiraling”, “Do You” and “Genesis I” map an expanding discography. The performance balances propulsive beats and intimate passages, inviting listeners into a vivid, connective sound world.
In French.
Mariés au premier ringard is a sharp, character-driven theatrical comedy that dissects the absurdities of modern relationships with warmth and irony. The staging favors close ensemble interaction, a lean scenography and precise lighting that underline shifting loyalties and comic misunderstandings. Moments of tenderness puncture the satire, inviting reflection on intimacy, identity and the small rituals of coupling. It balances humour and poignancy to produce a lively theatrical pulse.
In French.
Directed as an in situ promenade, this performance follows two protagonists, P. and B., through the city’s hidden seams. B. conspires to seed an exuberant vegetal uprising, mastering invasive plants to unsettle urban order. P. slips into the city’s blind spots, picking locks and slipping through barriers to reveal alternative ways of inhabiting public space. The show mixes physical theatre, poetic staging and ecological imagination to explore rewilding, intimacy and civic subversion.
In French.
Directed by Claude Vuillemin, Yasmina Reza’s Trois versions de la vie assembles four performers, Laurent Deshusses, Marie Druc, Sophie Lukasik and Nicolas Rossier, in a taut, virtuosic staging. Lighting by Rinaldo Del Boca and costumes by Sylvie Lépine shape shifting domestic realities as the play probes how social veneer fractures intimate relationships. This production by Les Amis – Le Chariot demands precision and emotional nuance from its cast.
In French.
Directed by François Marin, this intimate staging examines the fraught passion between Martin Heidegger and Hannah Arendt against the moral upheavals of Nazi Germany. Mario Diament’s text, adapted by André Nerman, traces a forbidden love between a philosopher and his student, probing complicity, memory and the struggle to reconcile heart and conscience. Sabrina Martin and Frank Semelet inhabit the roles with spare, intense performances, supported by a precise, austere mise en scène that foregrounds emotional conflict and ethical ambiguity.
In French.
Brass and woodwind textures weave through a varied concert programme led by the Harmonie de Genthod-Bellevue. The community ensemble explores classical transcriptions, contemporary wind repertoire and spirited marches, balancing refined ensemble colour with lively rhythmic drive. Expect rich harmonies, precise articulations and moments of soaring lyricism as the musicians shape dynamic contrasts and communal energy. An immersive musical experience that celebrates wind-band tradition and collective artistry.
More than simple program announcements, these events are true theatrical “green flashes” — moments of celebration linking the end of one season to the start of the next. For this final edition (note the “s” in “presentation(s)”), director Jean Liermier and a constellation of surprise guests will present a lively retrospective: a collage of excerpts, images, sounds, and behind-the-scenes stories collected over eighteen years (2008–2026). The audience is invited on a playful and spectacular journey into the creative heart of the theatre, to relive its highlights, secrets, and emotions — each evening, of course, concluding with a vibrant round of applause.
In French.
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