Directed as an in situ promenade, this performance follows two protagonists, P. and B., through the city’s hidden seams. B. conspires to seed an exuberant vegetal uprising, mastering invasive plants to unsettle urban order. P. slips into the city’s blind spots, picking locks and slipping through barriers to reveal alternative ways of inhabiting public space. The show mixes physical theatre, poetic staging and ecological imagination to explore rewilding, intimacy and civic subversion.
In French.
Mariés au premier ringard is a sharp, character-driven theatrical comedy that dissects the absurdities of modern relationships with warmth and irony. The staging favors close ensemble interaction, a lean scenography and precise lighting that underline shifting loyalties and comic misunderstandings. Moments of tenderness puncture the satire, inviting reflection on intimacy, identity and the small rituals of coupling. It balances humour and poignancy to produce a lively theatrical pulse.
In French.
Brigade financière stages a tense, chamber drama by Hugues Leforestier that confronts the logic of contemporary finance. Under Antony Mettler’s direction, Christian Gregori and Maria Mettral embody a sharp, cerebral duel between a financial crimes commissioner and an accused executive. Christian Gregori also signs scenography and costumes while Florian Cuellar sculpts the lighting. The production blends police-procedural suspense with satirical intelligence, probing power, privilege and the contradictions of today’s economic system.
In French.
Plan-les-Ouates is celebrating its 175th anniversary with a comedic show starring Marie-Thérèse, the well-known Swiss housewife, alongside emerging comedians like Bruno Peki and Julie Conti. This performance advocating for greater recognition promises laughter and entertainment. .
In French.
Conceived and performed by Claire Michel de Haas, this musical tour traces the evolution of music written for the human voice from ancient Greek fragments to contemporary repertoire. Vocal pieces converse with the collection, juxtaposed with harpsichord, cello and viola da gamba, and piano played by Réjane Buchet, Arbogaste Plantard and Johann Vacher. The programme blends historical timbres and intimate narration, creating a contemplative, tactile soundscape that invites close listening and reimagines the voice as both instrument and storyteller.
In French.
Directed by Claude Vuillemin, Yasmina Reza’s Trois versions de la vie assembles four performers, Laurent Deshusses, Marie Druc, Sophie Lukasik and Nicolas Rossier, in a taut, virtuosic staging. Lighting by Rinaldo Del Boca and costumes by Sylvie Lépine shape shifting domestic realities as the play probes how social veneer fractures intimate relationships. This production by Les Amis – Le Chariot demands precision and emotional nuance from its cast.
In French.
Linda Bell presents an intimate durational performance that navigates repetition, memory and materiality. Working across sculptural processes and live intervention, Bell’s practice unfolds through subtle bodily presence, careful pacing and attention to gesture. The performance is presented within the exhibition Methodical Process alongside works by Nnena Kalu and Marie Gyger and realised in collaboration with Action Space, London. The atmosphere is meditative and finely calibrated, inviting close attention to process and detail.
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