L’exposition Collective Landscape présente les œuvres de 12 étudiants en master de l’École supérieure d’art Annecy Alpes (ESAAA). Ce partenariat artistique inédit explore les liens profonds entre territoire et narration à travers des médiums variés, mettant en lumière des talents contemporains émergents tels que Yasmine Bekaley, Naïs Charlery et Lou Cohen.
Vernissage : mardi 17 novembre
An extensive survey assembled from a long-standing research collection devoted to glass, this exhibition takes a contemporary look at a millennia-old material. Over two hundred glass and mixed-media works, including sculptural objects, design pieces and installations, testify to a transdisciplinary experimental spirit. Featuring artists such as Ettore Sottsass, Pierre Charpin, Betty Woodman, Bob Wilson, Giuseppe Penone, Jana Sterbak and James Lee Byars, the show examines materiality, technique and the porous boundaries between craft, design and contemporary art.
Opening : Thursday 23 April, 18:00
Guided Tours (in French)
Antoni Tàpies presents the complete series “Variations on a Musical Theme”, twenty lithographs created in 1987. The suite reveals Tàpies’s fascination with the interplay between visual art and music: each variation establishes its own rhythm, material presence and visual language. Treated as a continuous sequence, the works unfold like a musical score, inviting an immersive reading of process, texture and symbolic gesture within the artist’s graphic practice.
Big Bangs, tiny particles and some very big questions. CERN’s Science Gateway makes particle physics surprisingly tangible through hands-on experiments, real scientific objects, and immersive installations. You don’t need a physics degree — curiosity will do just fine.
There’s another Geneva beneath the Old Town. Descend under St Peter’s Cathedral to walk through more than 2,000 years of history, from pre-Christian remains to the city’s earliest churches. It’s one of those places you can walk past a hundred times without guessing what lies beneath.
Two centuries of Geneva history told through uniforms, photographs, posters, equipment, and personal objects. Rather than simply lining up military artefacts, the museum places them back into the events and stories that shaped the canton from the Restoration to the present day.
Objects tell stories here — about people, beliefs, traditions, and the way cultures meet. The MEG draws on collections from around the world, while also asking timely questions about where museum objects come from and how their stories should be told today.
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