Compagnie Origami’s Comme un point désarticulé is a poetic, family-friendly circus performance that blends delicate acrobatics, object theatre and physical storytelling. The company explores tension, balance and whimsical disruptions, creating moments of wonder through precise choreography, playful timing and minimalist scenic touches. Intimate staging invites audiences of all ages to discover subtle humour and emotive movement in a compact, inventive format.
In French.
Lapin Lapin is a compassionate comedy that follows a large, eccentric family living in extreme poverty. Directed by Sarah Marcuse, the staging centers on Mama Lapin’s courage and optimism. Through rocambolesque episodes, the piece blends sharp social critique with warm humour and resilient affection. Khaled Khoury’s scenography and Loane Ruga’s lighting shape an intimate, expressive world, while an ensemble cast delivers vivid, tender performances.
In French.
Genevan pianist Philippe Boaron presents a recital pairing works by Ernest Bloch and Franz Liszt, tracing a poetic and spiritual trajectory through nightscapes, sea imagery and myth. The program moves seamlessly from La lugubre Gondola and Consolation to Bloch’s In the Night and Poems of the Sea, unfolding as a single breath with nuanced touch and dynamic contrasts. Petrossian’s Cyclades pieces close the program with luminous, island-inspired echoes, emphasizing intimate atmosphere and contemplative sonorities.
Amour(s) is a production by Compagnie lesArts that delves into the various dimensions of love through testimonies, stories, and writings. Directed by Tony Romaniello, this collaborative creation combines documentary theater with performances by Laurent Baier, Christian Baumann, and Stella Giuliani. The set design is by Célia Zanghi, with lighting design and management by Yannis Marti.
In French.
Performed by six dancers and accompanied by a live musician, A l’aune invites a slow choreographic promenade through the re-vegetated spaces of the Aire. The work examines ecosystems, adaptability and interdependence via intimate group interactions and material, site-conscious movement. The staging cultivates close listening between bodies and sound, producing a tactile, contemplative atmosphere that reflects cycles of growth, decay and mutual care.
Led by Geneva-based musician Yaël Miller, Rhizomes is an ensemble that weaves contemporary folk, world music and poetic song into a porous musical fabric. With voices and synths (Yaël Miller, Donia Berriri), bass (Thomas d’Arbigny de Chalus), electric guitar (Thomas Caillou) and drums/effects (Roland Merlinc), the group blends intimate electronics and earthy rhythms to probe themes of internal exile, belonging, memory, transformation and resilience. Performances favour delicate textures and sudden surges, creating a warm, immersive atmosphere that invites attentive listening.
Kim Crofts stages a contemporary puppet-opera adaptation of Haydn and Ovid, blending spoken text with operatic arias for an intimate, poetic retelling of the myth of Philemon and Baucis. Table puppets and masks create layered, tactile tableaux while Raphaël Merlin leads the musical direction with a chamber orchestra. Singers Sophie Negoïta, Faustine Egiziano, Maxence Billiemaz and David Ferreira bring vocal character. The production balances classical source material with playful visual invention.
In French.
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