Performed by six dancers and accompanied by a live musician, A l’aune invites a slow choreographic promenade through the re-vegetated spaces of the Aire. The work examines ecosystems, adaptability and interdependence via intimate group interactions and material, site-conscious movement. The staging cultivates close listening between bodies and sound, producing a tactile, contemplative atmosphere that reflects cycles of growth, decay and mutual care.
Lilly Wood and The Prick return with a set focused on songs from their new album Christina. The French duo blends pop, folk and electronic textures around English-language lyrics, pairing gritty guitar and catchy hooks with intimate vocal interplay. On stage they shift from reflective ballads to high-energy anthems, sculpted by dynamic arrangements and luminous soundscapes, creating a charged, immediate atmosphere that balances raw energy and poignant melody.
Based on the Jekyll myth, this theatrical adaptation examines metamorphosis as both physical and social, probing identity, gender and the boundary between good and male/female. Stark black-and-white staging and chiaroscuro lighting evoke twilight and old horror films, while a persistent, slicing fog thickens the atmosphere. The venerable Dr Jekyll’s unsettling experiments unfold in a late-19th-century London laboratory, and his circle is drawn into mounting anguish as transformations accelerate.
In French.
Lili Parson Piguet presents a solo circus performance blending cyr wheel, capilotraction and acrobatic monologue. Parson Piguet is the creator and performer, with dramaturgy by Adina Secretan and creative support from Basile Herrmann Philippe. Lighting is by Tiki, sound by Gaspard Perdrisat and costumes by Marie Romanens. The piece moves between tenderness and mischief, leading the audience through a poetic drift where fiction and reality meet.
In French.
Power struggles take center stage in this political and human narrative, offering a sharp reflection on legitimacy, chaos, and the quest for identity. The production incorporates a modular set design with models, puppetry, and contemporary projections to craft an epic theater experience that blends comedy and tragedy, rooted in past and present crises.
In French.
Co-created by Pascal Gravat and Julien Mages for Compagnie Revolver, “Nu Vite” (Naked Quickly) is a choreo-biography in which a dancer and an author probe time, ageing and the urgent need to seize each instant. The work blends intimate movement and written testimony, set to music by Pierce Warnecke with sound design by Clive Jenkins and lighting by Alessandra Domingues. The 75‑minute performance explores memory, bodily change and the delicate rhythm between presence and loss.
In French. Adults only (17+).
Performed and choreographed by Eugénie Rebetez, COMEBACK is a solo exploration of artistic, female and maternal identity. On stage she shifts through extravagant costumes and a blend of choreography, song and gesture, crafting scenic images that are both poetic and comic. The work moves between introspection and humour, intertwining contemporary dance and stand-up rhythms to question the artist’s status. Co-produced by Tanzhaus Zürich, Casino Théâtre de Rolle, Théâtre Boulimie and LE POCHE, it offers an intimate, unsettling and hilarious journey.
In French.
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