9 – 10 May

Philémon et Baucis

Booking Required

Kim Crofts stages a contemporary puppet-opera adaptation of Haydn and Ovid, blending spoken text with operatic arias for an intimate, poetic retelling of the myth of Philemon and Baucis. Table puppets and masks create layered, tactile tableaux while Raphaël Merlin leads the musical direction with a chamber orchestra. Singers Sophie Negoïta, Faustine Egiziano, Maxence Billiemaz and David Ferreira bring vocal character. The production balances classical source material with playful visual invention.

In French.

Rue Marie-Thérèse Maurette 7,
1208 Geneva
{"title":"Phil\u00e9mon et Baucis","description":"Kim Crofts stages a contemporary puppet-opera adaptation of Haydn and Ovid, blending spoken text with operatic arias for an intimate, poetic retelling of the myth of Philemon and Baucis. Table puppets and masks create layered, tactile tableaux while Rapha\u00ebl Merlin leads the musical direction with a chamber orchestra. Singers Sophie Nego\u00efta, Faustine Egiziano, Maxence Billiemaz and David Ferreira bring vocal character. The production balances classical source material with playful visual invention.\r\n\r\n\u003Cstrong\u003EIn French.\u003C\/strong\u003E","start_date":"2026-05-09","end_date":"2026-05-10","date":"9 - 10 May ","timings":[{"timing_start_date":"20260509T110000Z","timing_end_date":"20260509T165000Z"},{"timing_start_date":"20260510T110000Z","timing_end_date":"20260510T165000Z"}]}

You might also like

Thursday 30 April, 18:30

Led by singer George Beaver and musical director Zoé Jalabert, this concert brings together a pop‑rock band and a classroom orchestra. Performers include Matthieu Rouselle (drums), Enrico Chizzolini and Bastien Dériaz (electric guitars), Simon Tissot (bass) and a string and wind section featuring Guillaume Chambaud, Lucie Menier, Matthias Ernst and Marion Hugon. Through original compositions the programme fuses contemporary energy and classical technique, alternating raw electric textures with warm orchestral colours to create a jubilant, communal sound.

Thursday 30 April, 19:00

Quatuor Terpsycordes offers an intimate reading of Haydn’s String Quartet No. 22, blending classical clarity with expressive warmth. The four instruments engage in crisp, conversational interplay, where nimble phrasing and sculpted dynamics reveal wit and tenderness. The programme emphasizes formal balance and close listening, drawing out subtle rhythmic sparks and lyrical lines. The performance invites concentrated attention, unfolding moments of airy humour, poised restraint and lingering melodic grace.

21 April – 10 May

Based on the Jekyll myth, this theatrical adaptation examines metamorphosis as both physical and social, probing identity, gender and the boundary between good and male/female. Stark black-and-white staging and chiaroscuro lighting evoke twilight and old horror films, while a persistent, slicing fog thickens the atmosphere. The venerable Dr Jekyll’s unsettling experiments unfold in a late-19th-century London laboratory, and his circle is drawn into mounting anguish as transformations accelerate.

In French.

Thursday 30 April, 18:30

The MEG and the Grand Théâtre de Genève join forces for a special Apéropéra around the Svatbata production, in dialogue with the museum’s permanent collection. Expect a vibrant urban aperitif with live musical performances, sprinkled with contemporary anecdotes that offer a fresh, witty take on the opera.

In French.

23 April – 13 May

Performed and choreographed by Eugénie Rebetez, COMEBACK is a solo exploration of artistic, female and maternal identity. On stage she shifts through extravagant costumes and a blend of choreography, song and gesture, crafting scenic images that are both poetic and comic. The work moves between introspection and humour, intertwining contemporary dance and stand-up rhythms to question the artist’s status. Co-produced by Tanzhaus Zürich, Casino Théâtre de Rolle, Théâtre Boulimie and LE POCHE, it offers an intimate, unsettling and hilarious journey.

In French.

28 – 30 April

“Chaos Ballad” by Samir Kennedy at Maison Saint-Gervais immerses the audience in an intense performance blending concert, wild cabaret, and prophetic nightmare. With elaborate makeup and costumes, Kennedy embodies a melancholic, decadent clown, navigating between majesty and vulnerability. The performance features a defiant dance symbolizing the struggle against terror, absurdity, and the monotony of the world, creating a captivating and apocalyptic atmosphere.

Oops! It seems there
are no events matching your selection!

Please adjust your criteria to see more results.

Add to Calendar

Select the date to be saved in your Google calendar.

calendar placeholder

Done!

Event removed from your CoolAgenda.

Yeah!

Event Saved to your CoolAgenda

Add to CoolAgenda

In your CoolAgenda

Date

Title

Location

Description

calendar placeholder

Reset password

Password was reset

Your password has been reset successfully. You can now log in with your new password.

Check your Inbox

We’ve sent you a password reset email to the address provided. Please check your inbox and/or spam folder.

Forgot your password?

Thank you!

Please check your inbox for a verification email to complete your sign-up.

Sign Up

Create your Account and Culture Up!