Choreographer Cindy Van Acker brings Iannis Xenakis’s Pléïades to the stage, assembling five dancers, six percussionists from the Eklekto collective and a large percussion arsenal. Van Acker shapes a moving percussion landscape where bodies confront the score’s power and complexity, constantly shifting posture and relation to sound. Music is played live; scenography and lighting by Victor Roy frame waves, galaxies and whirlwinds in a rigorous, visceral performance. Creation 2026; coproduction.
An anniversary concert gathering David Walters, Tiwayo, Siân Pottok and Natascha Rogers for a musical journey across soul, Afro‑Caribbean rhythms, folk and percussion. David Walters presents new intimate material; Tiwayo delivers guitar‑and‑voice interpretations; Siân Pottok and Natascha Rogers create a shared piece, with Edouard Coquard on percussion. The evening balances tenderness and rhythmic drive, blending lyrical songwriting with vibrant, percussive textures. Supported by the Pour-cent culturel Migros.
Curated by Frédéric Post and Sonia Perego, MOS ESPA offers an unplugged, immersive festival framed as a barefoot, cocoon-like listening experience. The program features performances by Léna Hiriartborde, Yann Leguay, Julian Sartorius, Pali Meursault and others, blending field recordings, amplified objects, acoustic traditions and electronic textures. Site-specific installations and wooden instruments crafted by a participating maker lend a handcrafted intimacy, while sparse lighting and spatialised sound create close, contemplative atmospheres that favour shared, intense musical moments.
Mos_Espa is a project best experienced barefoot, in socks, slippers, or leather boots. You will be asked to leave your shoes and phone in the cloakroom. For this edition without electricity, credit card payments will not be accepted; cash only.
Produced by Dove Attia and staged by Kamel Ouali, this new staging celebrates the 20th anniversary of Le Roi Soleil with a blend of nostalgia and reinvigorated spectacle. The production revisits the musical’s greatest hits through exuberant choreography, luminous costumes and bold lighting design. An energetic ensemble delivers theatrical grandeur and intimate moments, balancing historical pageantry with contemporary pop-musical flair. Expect sweeping staging, polished vocals and a vibrant, celebratory atmosphere.
In French.
Lapin Lapin is a compassionate comedy that follows a large, eccentric family living in extreme poverty. Directed by Sarah Marcuse, the staging centers on Mama Lapin’s courage and optimism. Through rocambolesque episodes, the piece blends sharp social critique with warm humour and resilient affection. Khaled Khoury’s scenography and Loane Ruga’s lighting shape an intimate, expressive world, while an ensemble cast delivers vivid, tender performances.
In French.
LDL assembles soprano saxophonist Urs Leimgruber, pianist Jacques Demierre and analog synthesist Thomas Lehn in a finely balanced interplay between precision and instability. Rooted in European free improvisation and contemporary music, the trio unfolds a dense, hyper-attentive dialogue where structure and spontaneity are in constant negotiation. Sparse timbres, sudden micro-gestures and stretched melodic lines dissolve expectations, while attentive dynamics and subtle electronic textures create a taut, immersive atmosphere that rewards close listening.
Performed and choreographed by Eugénie Rebetez, COMEBACK is a solo exploration of artistic, female and maternal identity. On stage she shifts through extravagant costumes and a blend of choreography, song and gesture, crafting scenic images that are both poetic and comic. The work moves between introspection and humour, intertwining contemporary dance and stand-up rhythms to question the artist’s status. Co-produced by Tanzhaus Zürich, Casino Théâtre de Rolle, Théâtre Boulimie and LE POCHE, it offers an intimate, unsettling and hilarious journey.
In French.
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