One museum, centuries of stories. Geneva’s largest museum brings archaeology, fine arts, and decorative arts under one roof, moving from ancient civilisations to major European and Swiss artists. A classic for a reason — and big enough to warrant more than one visit.
Minor Tides brings together three young photographers — Lina Geoushy, Sarah Jade Sullivan and Farren van Wyk — who centre portraiture in work that interrogates family histories and cultural heritage.
Through staged and documentary photographic portraits, the artists examine collective identity, colonial legacies and processes of reclamation: Geoushy revisits pioneering women in Egypt’s past; Sullivan documents youth in Saint Vincent and the Grenadines navigating economic and colonial afterlives; van Wyk stages family portraits that rework violent colonial iconographies and affirm mixed identities. The exhibition traces subtle currents of change beneath visible histories.
Opening: Wednesday 1 July, 18:00
Selected works from the 20th Concours international de céramique present contemporary approaches to clay across functional and sculptural practices. The exhibition gathers emerging and established makers whose pieces range from wheel-thrown vessels and hand-built forms to experimental sculptural objects and site-aware installations. Emphasis is placed on technique, surface treatment and material research, revealing diverse glazing, firing and modeling strategies. Curatorial selection highlights formal innovation and dialogue between tradition and experimentation within contemporary ceramic practice.
On the occasion of her first institutional solo exhibition in Geneva, Marisa Cornejo presents El Taller de la Fragilidad, bringing together new sculptures, drawings, and installations. Born in Chile and based in Switzerland, the artist draws on her experience of exile to explore the relationships between memory, displacement, absence, and repair. Several of the works have been created especially for Halle Nord, examining the forms of resilience that emerge from uprootedness. Recipient of the Fondation Francine Delacrétaz Prize (2023) and a Swiss Art Award (2024), Marisa Cornejo’s practice spans sculpture, drawing, installation, performance, and archival research.
Opening: 3 September, 18:00
Guided tour: 11 September, 18:00
Reading by Pedro Jimenéz Morrás: 11 September, 18:30
Ségolène Romier revisits her practice as a filmmaker while opening a new chapter that foregrounds drawing and material experimentation. Her films, presented across a cluster of televisions, form a living retrospective populated by characters, objects and bodies. Drawing, long confined to sculptural preparation, moves to the fore on cardboard, producing fragmented forms and a kaleidoscopic self‑portrait in which the body appears in pieces between representation and disappearance. The exhibition contemplates passage, creative continuity and the shifting modalities of image and object.
Opening: Wednesday 30 September, 18:00
Closing: Sunday 11 October, 17:00
Ken-You Ferrero presents luminous paper sculptures that explore nature and light. Working with tissue paper and washi, the artist constructs refined, fragile and symbolic forms that dialogue with materiality, balance and the living. The works emphasise translucency, subtle textures and the interplay of shadow and glow, offering a contemplative experience that interrogates fragility, regeneration and the intimate connections between craft and natural phenomena.
Opening: 3 October, 11:00 – 17:00
Closing 24 October, 11:00 – 17:00
Why? It Matters invites visitors to engage with the debates and reflections shaping the future of particle physics. Through immersive installations, audiovisual displays and interactive exhibits, the exhibition examines fundamental scientific questions, proposed accelerator projects, technological challenges and the social and local impacts of big science. It highlights international collaboration, ethical questions and the processes that guide research priorities, encouraging visitors to consider what matters when imagining the future of science.
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