28 October – 29 January

Edmund Clark and Crofton Black: Cosmopolemos

Free

Edmund Clark and Crofton Black present a collaborative exhibition that interrogates the scale and knowledge systems of overwhelming structures of power. Using photography, archival imagery, data visualizations and text, the artists construct an encyclopedic investigation that interweaves images, datasets and language. Works draw on printed reference material to probe the technico-military-industrial complex, examining how knowledge production shapes secrecy, infrastructure and contemporary geopolitical imaginaries.

Opening: 28 October, 18:00

Promenade des Bastions 8,
1205 Genève

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25 September – 24 January

Ferdinand Hodler: Profession of Faith

Art & Exhibits

Musée de la Réforme

Ferdinand Hodler: Profession of Faith examines for the first time the spiritual dimension in the work of Ferdinand Hodler (1853–1918). Through some twenty-five paintings, the exhibition traces his youthful biblical readings, his rare biblical scenes, and his relation to the Reformation and the city of Geneva. It also considers how notions of creation and the order of nature informed his symbolist language and his meditative landscapes, revealing the interplay between religious themes and formal concerns in his painting.

Array

27 August – 15 November

Mirages

Art & Exhibits

Galerie du Boléro

Antoine Roth presents a photography exhibition focused on atmospheric and optical phenomena observed over Lake Geneva. Working with a digital camera and a long‑focal lens, he photographs distant horizons where light, water and air converge. The series documents rare mirages, notably the Fata Morgana, exploring the boundary between perceptual illusion and measurable physical event. Through patient field observation and precise framing, Roth examines how light and thermal gradients sculpt landscape appearances and challenge our sense of materiality.

Opening: 27 August, 18:00

Array

17 September – 13 December

Brave la Nuit / Poems for Ruptures / نعبرُ الليل

Art & Exhibits

FMAC

Curators Ghalas Charara and Rita Elhajj present the second part of a two‑part exhibition that shapes a liminal space between listening and gesture. Through acts of defunctionalization, duplication, displacement, fragmentation and sabotage, the participating artists generate potentials for action and reclaim rhythmic breaths, steps and voices. Works from the host collection sit alongside invited pieces to evoke survivance, mourning and resistance, where memory becomes an embrace enacted by bodies searching for—sometimes finding—ancestral gestures through repetition, dance and semantic shifts.

Opening: Thursday 17 September, 18:00

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3 October – 7 February

Liotard and Marie-Antoinette

Art & Exhibits

MAH

Jean-Étienne Liotard’s portraits of the imperial family, notably Marie‑Antoinette, include eleven drawings widely regarded as masterpieces. This project examines the identification of the sitter children and the works’ provenance through a cross-disciplinary investigation. In collaboration with the University of Oxford, the Idiap research institute and the School of Criminal Sciences at the University of Lausanne, historians of art and specialists in the eighteenth century join AI researchers and forensic experts to reveal new insights into authorship and history.

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3 September – 10 October

Post Tenebras Lux 2026

Art & Exhibits

Halle Nord

Ianne Kenfack Kitio continues her inquiry into representations of Black femininity and the construction of identity. In this photographic work, produced as a cyanotype, she treats the image as a space of transformation rather than a fixed depiction. The piece links material and concept: its blue evokes Ndop indigo textiles of the Grassfields and the artist’s Bamiléké heritage, while the cyanotype’s gradual emergence mirrors identity as an ongoing process of thresholds and metamorphosis.

Opening: 3 September, 18:00

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18 September – 31 October

Olaf Holzapfel

Art & Exhibits

Xippas

German artist Olaf Holzapfel presents a body of work that quietly investigates landscape, architecture and vernacular traditions. Working across sculpture, drawing, painting and installation, he foregrounds materiality and craftsmanship, transforming humble materials into structures that mediate between nature and the built environment. The works trace textures of memory and labour, proposing subtle dialogues between form and site. The exhibition emphasises process and making, inviting sustained attention to material relationships and artisanal techniques.

Opening: Thursday 17 September, 18:00

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Edmund Clark and Crofton Black: Cosmopolemos