As part of the 24th edition of Festival Akouphène, four artists shape an evening of dense, exploratory sound. Francisco Meirino presents “Érosion Stochastique,” combining chalk with an electroacoustic setup. Kayu Nakada works with printed circuit boards, while Augustè Vickunaité draws on tape recorders. Cheng Daoyuan builds an electronic performance from post-industrial textures and noise. Their distinct approaches move between material gestures, circuitry, recorded sound and abrasive sonic landscapes, inviting listeners into a vivid, unpredictable field of contemporary experimental music.
