Choreographer Aurélien Dougé investigates the relation between body and material in Sans titre (Barre d’acier). Performed solo on a square platform, the artist rotates continuously while holding a four‑metre steel bar that acts as both constraint and bodily extension. The piece foregrounds shifted weight, altered lines of tension and extremely slow gestural transformations against a persistent rotational rhythm. Rudy Decelière’s sound design suspends time, and a video triptych created with WIPART extends the work’s sculptural presence across contexts.
