Saturday 17 October, 21:00

Gabi Hartmann

Booking Required

Presented as part of the Festival JazzContreBand, Gabi Hartmann unveils her new musical universe in the album La femme aux yeux de sel. Often compared to Norah Jones or Melody Gardot, the Parisian singer-songwriter blends sung jazz, soul and world music with a singular, melancholic voice. Her dreamlike second record tells the story of Salinda, an heroine guided by her tears on an imagined island. She is accompanied by Florian Robin (piano), Jérôme Arrighi (bass) and Arthur Alard (drums and percussion).

Route de Sauverny 6,
1290 Versoix

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Photo Credit: DR

15 September – 11 October

Oncle Vania

Performances

Théâtre des Amis

Directed by Françoise Courvoisier, this production of Anton Chekhov’s Oncle Vania — translated by Arthur Adamov — assembles a committed ensemble (Vincent Bonillo, Pierre Dubey, Bérangère Mastrangelo, Patricia Mollet-Mercier, Clarisse Morizot, Pierre Omer, Juliana Samarine, Edmond Vuilloud) to explore love, the passage of time and illusions lost. The staging, created with scenographer Gilbert Maire and painter André Kasper, uses Rinaldo Del Boca’s lighting, Pierre Omer’s music and Nicolas Le Roy’s sound to evoke both the comedy and the terrifying humanity of Chekhov.

In French.

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27 August – 19 September

Un conseil d’ami

Performances

Uptown

Un conseil d’ami is a taut, intimate theatre piece that probes the fragile ties between friendship and trust. The staging favours close-up interactions, subtle lighting and spare design to heighten emotional detail. Performers move between colloquial realism and heightened, poetic moments, navigating moral ambiguity and small acts of care. The piece invites concentration on gesture, voice and timing, offering a quietly intense experience of human connection and moral questioning.

In French.

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5 – 19 September

Organ Recitals

Performances

Cathédrale Saint-Pierre

Three organ recitals offering intimate portraits of the instrument through contrasting programmes by Damien Desbenoit, Stéphane Mottoul and Jan Lehtola. Each recital balances baroque, romantic and contemporary repertoire, emphasizing registration, timbral contrasts and the acoustic dialogue between instrument and space. Performances favour attentive, contemplative listening and showcase the performers’ interpretive finesse. Programme notes and detailed PDFs are available for each recital.

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Saturday 19 September, 20:30

John Sulo: Vive !

Performances

Théâtre de la Madeleine

Sulo presents his new show, VIVRE (LIVE), an ode to life and its surprises. With humor and authenticity, he shares his vision of the importance of savoring every moment, even the unexpected ones. For the past seven years, Sulo has been touring the stand-up comedy circuit. He left Le Havre to pursue his dream in Paris and has performed countless shows, quickly establishing himself as a regular in key comedy clubs like Paname Comedy Club, Madame Sarfati, and Sacré Comedy. He has also had the privilege of opening for big names in comedy such as Roman Fraysinet, Hakim Jemili, Jason Brokerss, and Fary. Today, he returns with a personal, funny, and touching show, where you’ll laugh a lot but also reflect a little. Because, ultimately, there’s only one thing to do: LIVE!

In French.

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Saturday 19 September, 18:30

Concert – John Armleder Trio

Performances

MAH

Conceptual artist John M Armleder brings together composer-performers Stephan Eicher and Christian Marclay in the context of his ‘Observatoires’ project. For the first time, these three figures convene in a performance that merges visual installation and live sound. Armleder’s treatment of the space — its silvered surfaces and an emphasis on emptiness — frames fragile melodies, found noises and sustained textures. The result is an immersive sonic-visual dialogue where metallic light, silence and spontaneous interaction reshape listening.

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Friday 19 September, 21:00

Elina Duni – Rob Luft – Matthieu Michel

Performances

AMR

Elina Duni and Rob Luft began collaborating in 2017 and have since distilled their musical conversation into a pared-down duo project that returns to the intimacy of their first encounter. Joined by Matthieu Michel’s luminous flugelhorn, they weave a nocturnal tapestry of songs evoking moonlight, mystery and quiet joy. The music is contemplative and tender, often meditative, embracing the listener with delicate phrasing and subtle dynamics.

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Gabi Hartmann