FURTHER AFIELD
Choreographed by Kader Attou, Le Murmure des Songes is a poetic hip‑hop dance piece for young audiences. Drawing on childhood memories, Attou stages a dreamlike bestiary where four performers move with grace and humour among chimera, plants and playful animals. The work blends contemporary and classical influences, favouring sensitive, intimate choreography over virtuosic display. It invites children and adults to reconnect with imagination and the tender games of early life.
An introspective monologue for multiple voices, La Table d’Amour is a poetic theatrical immersion inspired by a Tinos island tradition. Performed by Manon Krüttli and Jeanne De Mont, the piece follows Manon Krüttli’s journey between autobiography, fiction and dreamlike reverie. It probes questions of living together, reconciliation and the role of conviviality as an artistic gesture, creating an intimate, sensory staging that favors lyricism and shared presence.
In French.
Emma Lamadji channels the spirit of Bob Marley in a luminous musical tribute that revisits the Jamaican legend’s most enduring songs — No Woman No Cry, Redemption Song and One Love. Her warm, expressive voice and subtle arrangements bring fresh emotional depth to familiar melodies, blending reverence and personal interpretation. The programme highlights themes of resilience, hope and unity, delivered with intimate staging and a focus on vocal expression.
Amor follows a forty‑something couple, attached yet weary from routine, confronting unspoken truths and the pull toward emancipation. This intimate, humanist theatre piece probes love’s contradictions—between inherited models and contemporary norms—through subtle staging and concentrated performances. Marjolaine Minot and Guillaume Prin embody the emotional shifts with delicate nuance, drawing the audience into a relational interior where choices, desire and restraint collide.
In French.
With an authentic, melancholic yet luminous voice, Dinaa transforms personal stories into songs. As singer-songwriter and composer she spent two years on the road alone with her guitar, giving more than a hundred concerts and sharing stages with renowned artists. Her debut album, Maison Vide, blends pop-rock, blues-soul and hip-hop–infused lyricism to map a raw emotional territory, singing of love, fractures and inner struggles with sincerity and restrained power.
Prima Facie, by Suzie Miller, stages a tense courtroom drama centred on Tessa, a brilliant defence lawyer whose life is upended after she becomes the victim of an assault. Directed by Elidan Arzoni and performed by Anna Budde, the production weaves urgent questions about justice, credibility and power. Danielle Milovic’s lighting and the French translation by Dominique Hollier and Séverine Magois shape a stark, intimate staging. Produced by Les Amis – Le Chariot for Scène Vagabonde Festival.
In French.
Directed by Gabriel Álvarez, Le Repas revives two flagship pieces from his company’s repertoire for the 40th anniversary of Studio d’Action Théâtrale and pays homage to playwright Valère Novarina. A cosmogonic feast staged with the audience at table, the performance devours the world through ritual, poetry and corporeal presence. It examines human voracity, collective memory and the fate of what we ingest, offering a sensorial, intimate and occasionally brutal theatrical journey.
In French.
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