Created by the company Calmez-vous!, Dopamine is a frenzied musical-theatre piece that explores the brain’s reward circuitry through playful, immersive staging. The production blends song, physical theatre and interactive moments to evoke compulsive desire and the sensory rush of pleasure. Stark lighting and kinetic choreography drive a rapid, humorous yet probing encounter with modern appetite and habit, questioning how reward shapes behaviour.
In French.
Now in its eleventh edition, Fête de l’Olivier stages dialogues between Arab and Mediterranean musical traditions and contemporary creation. The program gathers voices and instrumentalists such as Yasmine Hamdan, Trio Joubran and Retsina Cola, weaving intimate and powerful moments. Artists alternate between rooted repertoires and experimental approaches, inviting attentive listening and emotional resonance. The festival highlights improvisation, lyrical storytelling and cross-cultural collaboration.
Directed by Françoise Courvoisier, this production of Anton Chekhov’s Oncle Vania — translated by Arthur Adamov — assembles a committed ensemble (Vincent Bonillo, Pierre Dubey, Bérangère Mastrangelo, Patricia Mollet-Mercier, Clarisse Morizot, Pierre Omer, Juliana Samarine, Edmond Vuilloud) to explore love, the passage of time and illusions lost. The staging, created with scenographer Gilbert Maire and painter André Kasper, uses Rinaldo Del Boca’s lighting, Pierre Omer’s music and Nicolas Le Roy’s sound to evoke both the comedy and the terrifying humanity of Chekhov.
In French.
Retsina Cola channels the raw intimacy of rebetiko, a Greek urban music born from Asia Minor exile. The young quartet, composed of Alexios Koutsourelis (bouzouki and vocals), Giorgos Goudousakis (guitar and vocals), Melina Vasiliki Paraskevopoulou (percussion and vocals) and Ioannis Christakopoulos (accordion and vocals), blends plaintive melodies, driving rhythms and close vocal interplay. Their repertoire navigates longing, thwarted love and social struggle, stirred by oriental spices and smoky textures that evoke tavern nights and collective memory.
Chronicle of a fleeting liaison, this intimate theatrical piece examines the fragile architecture of desire and memory. Through concentrated scenes, the company maps the emotional aftershocks of a brief relationship, shifting between candid dialogue and charged silences. Lighting and sparse staging heighten moments of intimacy, while an attentive ensemble navigates tonal shifts from tenderness to unease. The production favors close observation and emotional clarity, inviting reflection on attachment and the traces left behind.
In French.
A darkly comic solo play about obsession and domestic chaos. When Michel finds a rare record he has long sought, he prepares a perfect hour to listen — but family, neighbours and a drip that will wreck the disc steadily intrude. The piece skewers selfishness with sharp humour and precise staging, combining intimate realism and heightened farce to probe human smallness and the desperate desire for solitude.
In French.
Scène Vagabonde’s seventh edition brings a compact program of contemporary theatre and music, presenting three contrasting stage works — “Par le bout du nez”, “Quadrille” and “Prima facie” — alongside a concert by Orchestre Tout Puissant Marcel Duchamp as part of La Bâtie-Festival de Genève. Across intimate stagings the festival favors inventive direction, close ensemble interplay and a balance of wit and intensity, offering encounters that privilege physical presence, tonal variety and rigorous dramaturgy.
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