Led by conductor Daniele Gatti, this symphonic concert presents two cornerstone works by Ludwig van Beethoven: Symphony No. 2 in D major, Op. 36, and the heroic Symphony No. 3 in E-flat major, Op. 55. The programme juxtaposes early classical clarity with the sweeping drama of the Eroica, exploring contrasts of lyricism, rhythmic drive and orchestral colour. Expect nuanced dynamics, sculpted phrasing and an immersive sonic arc that balances restraint and grandeur.
Performed by François Mardirossian, this eight‑hour nocturnal recital explores the minimalism tradition through repetitions and subtle variation. The programme moves between works by Philip Glass, Moondog, Erik Satie, Aphex Twin, Brian Eno, John Cage and other composers, creating an immersive, meditative and physical soundscape that invites listeners to drift in and out. A prelude DJ set by Camille Rhonat opens the evening, framing the transition from ambient textures to focused piano minimalism.
An emblematic stand-up showcase celebrating the club’s ninth anniversary, presenting the best of Romand humour across three nights. Eighteen talented comedians alternate on stage in an intimate, vaulted-cellar setting, delivering sharp observations, playful storytelling and rapid-fire sketches. The programme blends established voices and emerging talent, shifting between satirical edge and warm, observational comedy to create an electric, convivial atmosphere.
In French.
Choreographed by Christos Papadopoulos, My Fierce Ignorant Step gathers ten bodies whose mounting breath becomes the show’s engine. The piece translates performers’ respiration into kinetic waves and layered soundscapes, dialoguing with the contemporary music of Mikis Theodorakis. Drawing on the choral pulse of ancient tragedy, the work collapses collective Hellenic memory into intimate reveries — the impulse of beginnings, the buoyancy of first encounters and the spontaneous spark of early laughter. The staging is physical, precise and visceral.
Ensemble Temenos presents a program drawn from Arcangelo Corelli’s first four Opuses of Sonate a tre, tracing the emergence of the trio sonata and its two principal genres, da chiesa and da camera. The programme contrasts solemn, contrapuntal church movements with lively dance forms—allemande, courante, gigue—showing how harmonic clarity and expressive rhetoric shaped Baroque chamber music. Performed with period sensitivity, the ensemble favours architectural resonance and rhythmic drive, offering an intimate, luminous sound world.
Led by Edwin Sanz, Jazz Night Latina gathers musicians and enthusiasts around vibrant Latin rhythms. The programme explores salsa, cumbia, merengue and Latin jazz through tight grooves, lively improvisation and moments of communal exchange. Soloists take turns to push creative boundaries while the ensemble blends danceable beats with nuanced phrasing, creating a warm, festive atmosphere that highlights musical conversation and improvisational energy. Listeners are invited to share the experience.
Samar Haddad King’s Shabaab blends dance, theatre and puppetry to trace the intimate bond between two Palestinian friends, Mohamed and Mahmoud. Through movement, dialogue and a haunting puppet by Sipho Ngxola, the piece reconstructs memories, imagined futures and the silences carved by colonial violence. The choreography explores youth, tenderness and forms of resistance, creating a fragile space where friendship becomes a means of survival and poetic witness.
In English and Arabic with French surtitles.
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