4 March – 3 April

Exhibition of a collection – Plan-les-Ouates Art Fund

HiFlow

An exhibition presents around sixty works from the Plan-les-Ouates Art Fund, featuring paintings, sculptures, works on paper and installations. Artists such as Ruth Baettig, Carine Bovey, Sarah Carp, Georges Dessouslavy and Maya Rochat explore repetition, materiality and form through varied techniques: collage, printmaking, ceramics, video and mixed media. The selection stages dialogues between generational perspectives and examines how multiples, process and everyday objects shape contemporary artistic practice.

Chemin du Champ-des-Filles 36a,
1228 Plan-les-Ouates

Array

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20 February – 29 November

Simultanés

Art & Exhibits

Musée Ariana

Marie Ducaté presents Simultanés, an installation that transposes the spirit and traces of her studio into a theatre of objects. Combining ceramics, tracing paper, watercolor, textile and glass, the work sits at the intersection of pop culture and art history. The installation foregrounds a chromatic range from vivid colour to transparency and investigates the sensuality of materials, inviting close attention to texture, surface and the intimate relationships between form and materiality. Curated by Claire FitzGerald.

Array

22 January – 5 March

Ben Sadler – Ways of Looking

Art & Exhibits

Taste Contemporary

Taste Contemporary presents Ways of Looking, a solo exhibition by British painter Ben Sadler, bringing together all 24 portraits from his 2024 series You and I, alongside recent works. Through small, quietly compelling paintings of imagined exhibition-goers, Sadler captures fleeting expressions and inner worlds—figures who meet our gaze or drift away, pensive, amused, or absorbed. Subtle and poignant, the works explore the layered experience of exhibitions: the art, the space, the people within it, and the unspoken connections between them.

Opening on Thursday 22 January, from 18:00.

Array

5 March – 4 April

Clara Roumégoux: Day to Day

Art & Exhibits

Palais de l'Athénée

Clara Roumégoux examines production relations and the pressure to be productive through a concise series of works. Addressing food, design and sleep, she subverts everyday objects so they become signifiers of our era. Through moving image, print, installation and playful references to painting, her practice blurs domesticity and industry, care and efficiency. The exhibition questions habitual assumptions and evokes the subtle social forces that shape everyday routines and bodily rhythms.

Array

22 January – 7 March

Valse Velue

Art & Exhibits

Halle Nord

Valse Velue brings together Jessy Razafimandimby and Cathy Josefowitz in a cross-generational dialogue that juxtaposes performative practice with a body of studio-based works. The presentation combines live and time-based actions with constructed objects and window-front pieces by Tito Honegger and Nicolas Ponce. Through movement, improvisation and attentive materiality, the exhibition interrogates presence, memory and the afterlives of artistic gestures. Curatorial framing highlights exchange, contingency and how ephemeral performances resonate alongside durable artifacts.

Opening Thursday 22 January, from 18:00.

Array

18 February – 23 December

Nature never deceives us: Jean-Jacques Rousseau herbarium

Art & Exhibits

Jardin botanique

Jean-Jacques Rousseau’s herbarium, compiled in the 1770s for the printer-bookseller Charles-Joseph Panckoucke, is presented through preserved pressed specimens, its original catalogue and related botanical publications. The historical collection combines scientific observation and aesthetic arrangement, revealing Enlightenment approaches to collecting, classification and the popularisation of plant study. Detailed notes and annotations illuminate Rousseau’s techniques and the materiality of specimens, inviting reflection on how personal curiosity and scholarly networks shaped early modern natural history.

Array

18 February – 8 May

Zoe A. Keller and Batia Suter. Uqbaroxy

Art & Exhibits

Centre de la photographie (BGE)

Zoe A. Keller and Batia Suter reactivate the Eranos Archive in a collaborative project that blends critical essay and photographic installation. Keller’s research interrogates archetypal image systems and proposes the concept of the “anarchetype” to unsettle fixed classifications, while Suter juxtaposes historical Eranos images with contemporary-period photographs. Together they examine ideological contradictions and heterogeneous visual encounters of the interwar archive, opening a fictional conceptual field that foregrounds the archive’s historical vulnerability and the politics of visual classification.

Array

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Exhibition of a collection – Plan-les-Ouates Art Fund