The orchestra will perform at the Victoria Hall under the baton of Teodor Currentzis, featuring violinist Vilde Frang. They will present Alban Berg’s Violin Concerto “To the Memory of an Angel” and Gustav Mahler’s Symphony No. 1 “Titan.”
The orchestra will perform at the Victoria Hall under the baton of Teodor Currentzis, featuring violinist Vilde Frang. They will present Alban Berg’s Violin Concerto “To the Memory of an Angel” and Gustav Mahler’s Symphony No. 1 “Titan.”
Genevan-based Ooralise, Brussels’s Le Talu (with producer maïa blondeau), and Louv (with Geneva beatmaker Dyd) converge in a night of contemporary French-language rap. Ooralise pairs incisive lyrics and varied flows with an intimate resistance; Le Talu mixes digital rap, post‑trip‑hop and glitchy ASMR into raw, ritualistic performances; Louv blends classical textures, rap pulses and storytelling with feminist and queer urgency. Together they create a charged, sweaty atmosphere where vulnerability and defiance meet.
Molière’s Tartuffe tells the story of a slick con-man who hides behind ostentatious piety to worm his way into the wealthy Orgon household. Orgon, dazzled by Tartuffe’s sanctimonious rhetoric, defends him even as the impostor’s hypocrisy poisons family bonds and pushes the household toward ruin.
Director Jean Liermier underscores how, in Molière’s work, the female characters serve as the moral compass and spark of resistance, a beacon of hope against oppression. Staged on a stark, minimalist set that exposes the family’s rigid tensions—and featuring Gilles Privat as an unbending Orgon—this production highlights the play’s continuing resonance in a world beset by egotism, fanaticism, and conspiracy thinking. The central question remains timeless: will society keep falling for Tartuffe’s brand of seductive deceit?
In French. Ages 12 and up.
Lost love, mistaken identities, and non-stop laughs collide in The Servant of Two Masters, presented by the English language theatre in Geneva. In this fast-paced classic by Carlo Goldoni—adapted by Lee Hall—hungry servant Truffaldino attempts to serve two masters at once, only to unleash a whirlwind of comic chaos. Sharp, physical, and irresistibly funny, this is classic comedy with a contemporary bite.
In English.
Leonardo García Alarcón and his Cappella Mediterranea, in collaboration with the GTG Ballet, present the opera-dance Castor & Pollux by Jean-Philippe Rameau. Rarely performed in its 1737 version, the work delves into themes of brotherly love and sacrifice amidst a war between two peoples. The show features renowned baroque artists, including performances by Reinoud van Mechelen and Andreas Wolf. Dance is woven into the core of the dramaturgy, highlighting the emotional and musical depth of Rameau’s composition.
In French, with English subtitles.
Ingrid Hansen, a puppet artist from the Jim Henson Company (Fraggle Rock, Sesame Workshop), stages a surreal cabaret of illusions and absurd comedy. The variety show is led by Florence, a mischievous grandmother figure, and mixes bold cinematic video, close‑ups of everyday objects projected large, puppetry and daring sleights to create impertinent, often erotic vignettes. The piece juxtaposes tactile puppet performance with live filmic effects to produce surprising, humorous and uncanny moments.
A theatrical reading woven from the stories and themes of Luigi Pirandello’s works. In a minimalist stage setting evoking a Sicily that is both physical and metaphysical, two actors bring these texts to life, where past and present meet and the complexity of the human condition unfolds.
Performed in Italian with English and French surtitles.
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