Led by Stefano Saccon with EMA teachers, this concert pays homage to American saxophonist David Sanborn by revisiting highlights of his career across jazz, fusion, rhythm and blues, funk and pop-jazz. The ensemble features Julien Ménagé (keyboards), Maxence Sibille (drums), Christophe Bovet (guitar), Ivan Rougny (bass) and Edwin Sanz (percussion). Arrangements mix soulful solos and tight grooves, aiming to capture Sanborn’s expressive tone and spirited interplay.
Directed by Céline Goormaghtigh and written by Anne Berest, LA VISITE probes maternal instinct with sharp humour and urgent intensity. In a compact domestic setting, a young mother at the limits of endurance confronts visitors while her defenses dissolve; a trio of actresses whirl and collide, delivering a caustic torrent of language and revealing movement. The work explores ‘matraissance’—the birth of motherhood—balancing lucidity, rage and tenderness to unsettle familiar myths about maternal bliss.
In French.
JazzContreBand celebrates its 30th anniversary with a new creation led by trumpeter Erik Truffaz. Franco‑Swiss musicians join forces with the Orchestre des Alpes et du Léman in Side by Side, a programme that blends classical writing, jazz phrasing and open-ended improvisation. The project explores textural contrasts, orchestral colours and solo interplay, shifting from intimate chamber passages to wide, cinematic swells. Expect nuanced dynamics, luminous timbres and collaborative dialogue across genres.
Amor follows a forty‑something couple, attached yet weary from routine, confronting unspoken truths and the pull toward emancipation. This intimate, humanist theatre piece probes love’s contradictions—between inherited models and contemporary norms—through subtle staging and concentrated performances. Marjolaine Minot and Guillaume Prin embody the emotional shifts with delicate nuance, drawing the audience into a relational interior where choices, desire and restraint collide.
In French.
Leonardo García-Alarcón leads Cappella Mediterranea in a visionary reimagining of Jean-Philippe Rameau’s Les Indes galantes, while choreographer Bintou Dembélé stages a virtuosic, urban-inflected choreography that dialogues with baroque heritage. The production juxtaposes sumptuous orchestral writing and a contemporary scenic universe to explore identity, representation and cultural legacy. Vocal and choral forces, including the Chœur de Chambre de Namur, animate a rich dramaturgy that balances historical splendour and probing modern perspectives.
In French.
Led by the vocal partnership of soprano Valérie Vianin Bonzon and tenor Jesse Concha, with pianist Sebastián Guinta, this recital juxtaposes intimate Romantic lieder and verismo arias by Schumann and Puccini. The singers inhabit contrasting personas, weaving fragile lyricism with dramatic intensity, while the piano provides shimmering textures and bold climaxes. Illuminated by attentive phrasing and close musical dialogue, the programme invites a contemplative, emotionally charged listening experience that moves between tenderness and passion.
For his final production as a theatre director, Jean Liermier revisits Tennessee Williams’s autobiographical classic about memory, longing and family. Set in the 1930s American South, the staging gathers a company around Laura, here embodied by Aurélia Thierrée, with Cyprien Colombo, David Gobet and Clotilde Mollet completing the ensemble. Liermier’s direction emphasises fragile interiors and poetic movement, offering a liberating, weightless atmosphere that balances tenderness and uneasy nostalgia.
In French.
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