Roots reggae evening featuring The Abyssinians, the seminal Jamaican group celebrated for their rich vocal harmonies and enduring Rastafari anthems. Joined by Lone Ranger, the renowned Jamaican DJ stepping in for Big Youth, the lineup blends classic roots vocals with dynamic MC and sound-system traditions. Rounding the bill, Mother Dubber x 1000 balles delivers a deep dub and DJ set rooted in heavyweight bass and echoing textures. The programme honours reggae legends and sound-system culture.
Amine Radi offers a compelling solo performance that navigates identity, rhythm and intimate storytelling. His stage presence merges subtle theatricality with musical sensibility, crafting atmospheric moments that shift between humour, reflection and sharp observational detail. Minimalist staging and attentive pacing allow the audience to inhabit each narrative beat, while a refined use of voice and gesture shapes a vivid emotional arc. The piece invites contemplation through concentrated, finely tuned expression.
In French.
“Paix” by Tiphanie Bovay-Klameth at Maison Saint-Gervais is a solo performance where she portrays all the characters in a work centered around the theme of peace. This production pays tribute to the spirit of community involvement and illustrates a diverse group coming together despite their differences. It delves into group dynamics and the individual’s role, while emphasizing the significance of popular culture as a vehicle for peace in an uncertain world.
In French.
Futur(s) is a collective performance inspired by Yannis La Macchia’s graphic novel Naturellement. A theatre becomes a cyberpunk fiction where a digital virus seeps into the real: audiences wear mixed‑reality headsets and move through backstage, rehearsal rooms, the foyer and the stage, skirting the boundary between virtual and physical. Encounters with 3D characters, a sea that floods the auditorium and a dancer who animates avatars craft an immersive hybrid of live performance and digital creation set in 2056.
In French.
Written and directed by Raphaëlle Farman, this musical comedy follows six eccentric lottery winners whose most improbable dreams suddenly come within reach. With the charismatic show host Macha and the scheming production director Florence, the ensemble embarks on escapades that leap from Arthurian chivalry to the surface of the moon. A troupe of spirited performers animates comic tableaux, while playful staging, brisk choreography and bursts of onstage magic create an exuberant, nostalgic atmosphere that celebrates imagination and folly.
In French.
“Phèdre!” is a joyful monologue performed by Romain Daroles, who enthusiastically delves into the richness of Racine’s text and the elements of tragedy. Celebrated at the 2019 Avignon Festival, this adaptation inspires a love for language and a renewed interest in rediscovering this classic masterpiece. Designed and directed by François Gremaud, the show combines simplicity with passion, transforming the tragedy of Phèdre into a vibrant and engaging experience.
In French.
Julie Conti delivers a sharp, ironic solo show that skewers gender stereotypes and social norms. With caustic wit, sarcasm and direct physical presence, she unpacks experiences of womanhood, motherhood and partnership with uncompromising timing. The piece mixes personal testimony and satirical critique, alternating rapid-fire jokes and moments of candid reflection, creating a compact, high-energy performance that laughs while insisting on change.
In French.
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