Le Rez-Usine, part of the Usine complex housed in a repurposed factory in Geneva’s Jonction district, is a concert venue run by a non-profit cultural association. A key player in the Swiss music scene, it offers a diverse and avant-garde lineup, showcasing genres from psych rock and post-punk to dub and dada rap. Renowned for its dedication to cultural and musical diversity, Le Rez stands out for its inclusive ethos, its support of artistic residencies, and its resistance to commercial trends. The venue also fosters strong collaborations with local collectives, maintaining its position as a cultural hub.
Ky‑Mani Marley blends reggae, hip‑hop, RnB and dancehall in a dynamic stage show rooted in his Jamaican heritage. He revisits anthems from his father Bob Marley alongside early recordings and more recent material, moving between soulful vocals, rhythmic grooves and spoken-word elements. A seasoned collaborator with international artists, Ky‑Mani delivers an energetic, genre-crossing performance that balances reverence for tradition with contemporary urban influences.
After 13 years, the duo The Dreams — Armelle and Nafi — return to the stage with a brief reformation revisiting songs from Heimat, Noir Boy George, Crack und Ultra Eczema, Badaboum, Scorpion Violente and Le Chômage. Their sound blends cold‑wave textures with tropical grooves and reggae undertones, evoking connections to Suicide, Slits, Sonic Youth, Bob Marley and The Police. Their sole album Morbido (2011), reissued by Replica Records/La face cachée, frames a dark, luminous minimal pop.
La Colonie de Vacances gathers members of Electric Electric, Marvin, Pneu and Papier Tigre into a sprawling, 18‑musician ensemble that deploys a quadriphonic sound system placing the audience at the heart of four stages. Rooted in noise-rock experimentation, the collective explores polyrhythms, trance-like grooves and uncanny harmonies, crafting enveloping sonic architectures that shift perspective and intensity. This farewell project channels improvisation and compositional rigor, inviting deep, multi-layered listening and a theatrical collapse of performer–audience boundaries.
Self-taught singer-songwriter and beatmaker Danyl began publishing live tracks on Twitch. Of Franco‑Algerian origin, he blends raï, US rap and French chanson to create a personal sound. His collaborations include Zamdane, Tuerie, DJ Kore, Oxmo Puccino, Stony Stone and Rim’K. On his first album ZMIG (2026) he reclaims a pejorative term to probe social determinism and the double stigma of his origins. The music resists categorization while pushing cultural boundaries.
Recluses Fest celebrates its fifth anniversary with two nights of high-energy punk and alternative hip-hop. The programme pairs UK punk veterans The Toy Dolls and French hard-hitters Svinkels with eclectic support acts Total Dézordre, Billy Ze Kick and Swiss outfits Les Blattes and Pistache Bitume. Expect raucous riffs, irreverent lyricism and a raw, communal atmosphere driven by tight musicianship and DIY spirit. Curated in coproduction with Recluses Fest, the bill spotlights cross-border scenes and uncompromising live intensity.
Pisse formed in Germany in 2012 and quickly established itself on the country’s punk scene. The band tackles heavy themes with a sharp, black humour, pairing synths, theremins, rapid tempos and an instantly recognisable voice. On stage their abrasive energy and unsettling melodies create cathartic, sardonic performances that shift between controlled chaos and a clear musical signature, delivering a provocative, darkly comic punk experience.
Culture, curated weekly.
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