Peter and the Wolf is presented in a chamber arrangement for wind quintet by J. Linckelmann, performed in a version by the Orchestre de la Suisse Romande. This musical tale combines vivid instrumental characterization with narrated storytelling: Marion Fontana leads the narration while Sarah Rumer (flute), Simon Sommerhalder (oboe), Benoît Willmann (clarinet), Luis Marquez Teruel (bassoon) and Clément Charpentier-Leroy (horn) bring Prokofiev’s motifs to life.
In French.
Curated by the Summer Concerts Association and its artistic committee, this series offers an hour of chamber music that ranges from intimate solo recitals to richly textured ensemble programmes. Repertoire spans classical chamber works with thoughtful programming that highlights timbre, phrasing and quiet dynamic arcs. The performances favour close listening and meditative atmospheres, where delicate sonorities and careful lighting shape intimate moments and gradual emotional transitions, inviting reflection and a sense of calm.
Returning for its twentieth edition, Les Aubes brings softness and poetry to Geneva mornings. At dawn, intimate musical encounters offer delicate soundscapes that stir the senses, favouring close listening and subtle atmospheres. The programme highlights a variety of acoustic and experimental projects, from solo performances to chamber ensembles, each designed to awaken the city with refined timbres and attentive pacing. A gentle celebration of morning listening and communal presence.
Dogfight is a musical set in 1960s America on the eve of young Marines’ departure for Vietnam. The plot follows Eddie Birdlace, whose cruel ‘dogfight’ gamble is upended when he meets Rose, an idealistic and sincere young woman. Over a single night, the production confronts themes of masculinity, violence and empathy, blending gritty social realism with moments of tenderness. Sparse staging and intimate musical numbers highlight a painful coming-of-age and the possibility of moral change.
Trumpeter Shems Bendali, based in Suisse romande, blends jazz with Algerian musical traditions to craft narrative, deeply sensitive music. Leading his quintet, he shapes a personal language where memory and imagination converge. His latest album, Casbah Qassioun, unfolds a science-fiction universe between the Maghreb and the Middle East, inspired by a futuristic comic-book aesthetic and serving as the backdrop for intimate, contemplative compositions.
Born in Lima, Peru, Eva Ayllón is the foremost voice of Afro-Peruvian and Creole music. Across a five-decade career she has brought her country’s rhythms and melodies to international stages, blending impeccable vocal technique with a commanding stage presence. Nicknamed ‘The Voice of Peru’ and ‘The Queen of Landó’, her work bridges tradition and contemporary interpretation, enriched by collaborations with leading Latin and world artists and recognized by a Latin GRAMMY Lifetime Achievement Award.
Marlène Charpentié conjures a strange papier-mâché garden in this hybrid performance that mixes theatre, clown and dance. Three figures — an obsessed drag-king, a heartbroken diva vampire and a queer Pierrot who tends fading, reviving flowers — share the stage without words. Between absurd humour and a critique of capitalism, the piece plays out like a cracked cabaret where material is worked live: objects are handled, transformed and revealed in a visceral, intimate exchange with the audience.
In French.
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