Peter and the Wolf is presented in a chamber arrangement for wind quintet by J. Linckelmann, performed in a version by the Orchestre de la Suisse Romande. This musical tale combines vivid instrumental characterization with narrated storytelling: Marion Fontana leads the narration while Sarah Rumer (flute), Simon Sommerhalder (oboe), Benoît Willmann (clarinet), Luis Marquez Teruel (bassoon) and Clément Charpentier-Leroy (horn) bring Prokofiev’s motifs to life.
In French.
Quartette…Y Su Orquesta was born from the meeting of friends devoted to tango and Argentine music. This elastic, leaderless ensemble blends plucked and bowed strings to create a warm, immersive sound that transports listeners to Buenos Aires and into Argentina’s regional landscapes. The quartet’s nuanced phrasing and rhythmic drive alternate between intimate nostalgia and fiery dance, inviting the audience into a shared, atmospheric experience.
Guihome returns with a finely observed one‑man show that traces the passage from childhood to adulthood through a gallery of new characters and a naturalistic staging. The performance blends candid humour, tenderness and sharp, observational monologue as it follows first moves, first marriage and a first funeral. The staging favours realism and intimate storytelling, creating a warm, reflective atmosphere sustained across nearly two hours.
In French.
Directed by Rebecca Stella and adapted with Danielle Barthélemy, Cendrillon blends classic fairy-tale drama with manga-inspired staging. Pili Loop’s original score, Mathieu Courtaillier’s lighting and the set by Camille Ansquer shape a vivid, contemporary universe. Costumes by Alice Toutev and Sonia Bosc and choreography by Léon add playful movement and character. Anthony Surleraux’s video projections and graphics expand the tale’s visual world, pairing tradition with modern theatrical textures.
In French.
Félix Ringaby presents a compact, incisive stand-up set that blends sharp observational humour with intimate storytelling. His delivery balances quick wit and subtle vulnerability, turning everyday absurdities into moments of recognition and laughter. The performance plays with rhythm and tone, inviting the audience into a conversational space where language and timing shape the comedic arc. Expect a polished, focused evening that foregrounds voice, timing and nuanced social commentary.
In French.
Led by percussionist and conductor Fábio Pascoal, Hermeto’s Mothership reunites musicians who accompanied Hermeto Pascoal for decades to perform a repertoire entirely of his compositions. Featuring André Marques (piano), Ajurinã Zwarg (drums), P Jota (saxophone, flute) and Itiberê Zwarg (bass, vocals), the ensemble blends meticulous composition with collective improvisation and bold timbral exploration rooted in Hermeto’s Música Universal. The concert shifts between dense, intricate textures and spontaneous grooves, inviting attentive listening that feels both intimate and expansive.
JazzContreBand celebrates its 30th anniversary with a new creation led by trumpeter Erik Truffaz. Franco‑Swiss musicians join forces with the Orchestre des Alpes et du Léman in Side by Side, a programme that blends classical writing, jazz phrasing and open-ended improvisation. The project explores textural contrasts, orchestral colours and solo interplay, shifting from intimate chamber passages to wide, cinematic swells. Expect nuanced dynamics, luminous timbres and collaborative dialogue across genres.
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