Guihome returns with a finely observed one‑man show that traces the passage from childhood to adulthood through a gallery of new characters and a naturalistic staging. The performance blends candid humour, tenderness and sharp, observational monologue as it follows first moves, first marriage and a first funeral. The staging favours realism and intimate storytelling, creating a warm, reflective atmosphere sustained across nearly two hours.
In French.
Two short plays by Anton Chekhov staged by Tibor Ockenfels and Flavie Tapparel, presented as compact dramatic machines where romantic comedy masks escalating confrontations between desire, affection and material interest. Performances rely on precise physical timing, terse exchanges and a lean, playful design to reveal the simmering violence behind courtship rituals. The three actors — Estelle Bridet, Matteo Prandi and Raphaël Vachoux — inhabit heightened character types that shift between farce and darker comic truth, creating a sharply observed, kinetic evening.
In French.
Set between domestication and escape, La zone nono follows a troupe of ragged yet endearing animals seeking community and freedom. Two table puppeteers and two musicians bring to life quirky creatures through live music and songs, blending humour and poetry. The staging balances intimacy and playful invention, exploring solidarity, resilience and the pull of the wild. The show is performed in French and mixes witty storytelling with musicality and inventive puppetry.
In French.
Centred on Sami Bernath’s embodied memories, this performance mixes Swiss popular songs, rhythmic gestures and the traditional Löffelä spoon percussion to transform everyday motions into sound. Through repetition, deformation and rhythmic saturation, familiar motifs become permeable, revealing buried and repressed memories beneath the Swiss mountains. The staging is intimate and ritualistic, alternating fragile vocal fragments and percussive textures to probe memory and collective inheritance.
In French.
Led by Warren Ellis (violin) with Mick Turner (guitar) and Jim White (drums), Dirty Three craft expansive instrumental narratives that blend post‑rock, folk, classical and free jazz. Their music moves through intimate, quiet passages to sweeping, cathartic crescendos, built from delicate interplay and raw timbre. The trio’s return with Love Changes Everything (2024) deepens their reputation for emotive soundscapes and intense live catharsis. Their long collaborations with artists like Nick Cave, Cat Power and Bonnie “Prince” Billy underscore a singular voice in contemporary alternative music.
Choreography and performance by Victoria Dauberville, this dance piece follows a ballerina who literally escapes her music box to discover a new world and, ultimately, herself. Like a doll shaped by strict rules, she abandons prescribed steps and meets other dancers and styles, inventing her own movement. The staging plays with expectation and humour, questioning what it means to dance with others and alone, and opening space for surprise and tenderness.
Directed by Rebecca Stella and adapted with Danielle Barthélemy, Cendrillon blends classic fairy-tale drama with manga-inspired staging. Pili Loop’s original score, Mathieu Courtaillier’s lighting and the set by Camille Ansquer shape a vivid, contemporary universe. Costumes by Alice Toutev and Sonia Bosc and choreography by Léon add playful movement and character. Anthony Surleraux’s video projections and graphics expand the tale’s visual world, pairing tradition with modern theatrical textures.
In French.
Please adjust your criteria to see more results.
Your password has been reset successfully. You can now log in with your new password.
We’ve sent you a password reset email to the address provided. Please check your inbox and/or spam folder.
Please check your inbox for a verification email to complete your sign-up.
Culture, curated weekly.
Event removed from your CoolAgenda.
