Guihome returns with a finely observed one‑man show that traces the passage from childhood to adulthood through a gallery of new characters and a naturalistic staging. The performance blends candid humour, tenderness and sharp, observational monologue as it follows first moves, first marriage and a first funeral. The staging favours realism and intimate storytelling, creating a warm, reflective atmosphere sustained across nearly two hours.
In French.
A Halloween night of short-stage performances, this festive and mysterious showcase brings hidden talents to centre stage. Local singers, spoken-word artists and experimental acts share a program of eclectic, intimate pieces that play with mood and atmosphere. Lou Mey, Inkuba 2025–26 artist, appears to introduce her musical universe. The evening privileges risk-taking, playful presentation and close audience connection, weaving theatrical touches and sonic textures into a varied, convivial performance line-up.
Led by Ahmed Madani and a troupe of young performers, this vibrant, joyful performance gathers choir, intimate video narratives, dance, live music and the sonic textures of protests in an interactive agora. The staging blends collective singing, personal testimony and physical theatre to explore youth engagement, solidarity and the emergence of shared pathways. The piece is electrifying and tender, inviting audiences into an energetic communal experience.
In French.
Stéphane Blok returns with City 8047, an album shaped in Zurich and recorded live on guitar and voice, with no post-production edits. His acoustic playing folds melody, harmony and percussion into the same gesture, creating raw, stripped-down arrangements that feel both immediate and intimate. The songs move between irony and emotion, reflecting on AI, virtuality, fakery and dehumanization without slipping into polemic. Each track keeps its own resonance, carried by precise lyrics and a singular stage presence.
Led by pianist and singer Dennis Watson, the Dr. Watson Band revisits blues and rock through soulful vocals and piano-driven arrangements. The quartet — Dennis Watson (piano, vocals), Alain Niederhauser (guitar, vocals), Luc Schuwey (bass) and Pascal Jean (drums) — blends originals from the album “Welcome to the World” with covers by Freddie King, Muddy Waters, the Allman Brothers and Jimi Hendrix. Sharing the bill, The Lawdy Mamas — four Geneva-based women — channel raw Southern blues and 1970s rock, delivering high-energy, road-worn guitar-driven performances.
Directed by Gabriel Sparti, Menace Chorale follows an amateur town choir drawn into a tightening ideological mechanism under a charismatic new conductor. The piece uses vocal textures and staged rehearsals to contrast luminous harmonies with the unsettling meanings behind their repertoire, sketching a miniature society where desire, ambition and collective pressure calcify into authoritarian dynamics. Through subtle disruptions, layered readings and meticulous sound and lighting textures, the production feels at once funny, eerie and incisively political.
In French.
Directed by Gilles Guénat and written by Roxane Gray, The Wall is a dance-theatre piece that immerses audiences in a musical and choreographic tapestry around the history of the Berlin Wall. Choreographies by Fabrice Martin, Sabine Gross-Collé, Gilles Guénat and Anthony Despras shape a fluid dialogue between a woman and a man, where the personal and the political intertwine. A company of around ten artists navigates intimate gestures and collective movements, evoking memory, rupture and resilient lyricism.
Please adjust your criteria to see more results.
Your password has been reset successfully. You can now log in with your new password.
We’ve sent you a password reset email to the address provided. Please check your inbox and/or spam folder.
Please check your inbox for a verification email to complete your sign-up.
Culture, curated weekly.
Event removed from your CoolAgenda.
