OpenJam invites everyone to reconnect through house culture in a welcoming, intergenerational setting. The event begins with a movement workshop focused on listening, connection and relational dynamics on the dancefloor, then continues with an open, participatory DJ set. Accessible to all, the format blends dance transmission and collective practice to explore the dancefloor as a place of sociability, expression and encounter. Participants are encouraged to share, listen and move together.
Directed by Françoise Courvoisier, Les Glycines is a new creation by the TAC ensemble that examines the theme of madness through comic and reflective lenses. Performers including Nicole Aubert, Loulou Morisod, Catherine Vaucher, Zamila Yunus, Patrice von Büren, Claude Morex and Daniel Mouchet use improvised confidences to weave reality and fantasy. The staging blends intimacy and humour, shaping a tailored theatrical work for this company. Produced by Les Amis – Le Chariot.
In French.
Directed by Oscar Gómez Mata and Bastien Semenzato, this staging brings together 16 young performers from La Manufacture’s promotion O to tackle Hamlet in its entirety. Combining tragic force with mordant, absurd humour, the piece explores how the past splashes into the present and how institutions unravel. Using the jeu bouffon — masks, exaggeration and the subversion of power — the ensemble shifts between farce, violent outbursts and intimate doubt as the prince teeters between thought and action.
In French.
Led by Thierry Courlet (voice, piano, compositions), Le Thierryble revisits 1960s–70s rock with French-language lyrics that blend bittersweet poetry and wry paranoia. Electric guitars give way to cello and delicate arrangements by Vartan Baonian, while Maëllie’s vocal textures and percussion colour the sound. Influences such as Pink Floyd, the Beatles and Genesis surface without pastiche, creating melancholic, cinematic moments. Presented within the Musique à Pont-Rouge programme in collaboration with FA-MI, the set feels intimate and reflective.
In French.
Ky‑Mani Marley blends reggae, hip‑hop, RnB and dancehall in a dynamic stage show rooted in his Jamaican heritage. He revisits anthems from his father Bob Marley alongside early recordings and more recent material, moving between soulful vocals, rhythmic grooves and spoken-word elements. A seasoned collaborator with international artists, Ky‑Mani delivers an energetic, genre-crossing performance that balances reverence for tradition with contemporary urban influences.
Created collectively by the company À l’Ouest with Guillaume Pidancet, this inventive staging reimagines Charles Perrault’s Bluebeard for families. Performed in a mobile truck‑theatre that becomes a ‘suitcase of dreams,’ the production blends playful storytelling, poetic imagery and close‑up interaction to transform a dark tale into a gentle exploration of curiosity and trust. The intimate ensemble features Pierre Boulben, Hugo Braillard and Loubna Raigneau.
In French.
Claudine (j’aime pas l’bonheur) is a re-creation by Marjolaine Minot that probes the ambivalence of happiness through intimate theatrical language. The piece blends restrained physicality and lyrical monologue to map memory, longing and domestic disquiet. Minimal scenic devices and attentive sound design carve spaces of emotion, while a small ensemble negotiates shifts between humour and melancholy. The production favours fragile gestures and precise rhythms to evoke an uneasy, poetic atmosphere.
In French.
Please adjust your criteria to see more results.
Culture, curated weekly.
Event removed from your CoolAgenda.
Your password has been reset successfully. You can now log in with your new password.
We’ve sent you a password reset email to the address provided. Please check your inbox and/or spam folder.
Please check your inbox for a verification email to complete your sign-up.
