Ky‑Mani Marley blends reggae, hip‑hop, RnB and dancehall in a dynamic stage show rooted in his Jamaican heritage. He revisits anthems from his father Bob Marley alongside early recordings and more recent material, moving between soulful vocals, rhythmic grooves and spoken-word elements. A seasoned collaborator with international artists, Ky‑Mani delivers an energetic, genre-crossing performance that balances reverence for tradition with contemporary urban influences.
A man performs on stage, sharing a personal reflection alongside his family, friends, therapist, colleagues, and ex-partners. In seven acts, he delves into pivotal anecdotes to question gender imperatives from childhood to adulthood. The play, “Le Premier Sexe,” addresses the journey from oppression to emancipation and the shift from toxic masculinity to a distinctive masculine identity. Produced by Compagnie Passages, with Mickaël Délis responsible for both writing and directing, in collaboration with Vladimir Perrin and other artists.
In French.
Choreographer Laurence Yadi presents a new creation for young audiences after a residency in Bali. This dance solo, titled “Silahkan” (meaning “please” in Balinese), invites audiences on a journey filled with humor, poetry, and emotion. The performance unfolds within a constantly transforming set where ordinary objects turn into something extraordinary. It reveals a magical world of tales inhabited by princesses, gods, demons, and warriors, exploring the wonders and mysteries of a distant journey.
Kids ages 6 and up.
Created by Aurélie Hubeau and Lucie Hanoy, L’IMPOSTURE is a comic and poetic exploration of doubt, self-image and belonging. The piece follows a woman who describes herself as too small, obese, ugly and a tomboy, and recounts how she forged an identity in today’s world. Using objects, clothing and puppets manipulated with inventive choreography, the performance weaves humor, poetry and music — from Patrick Bruel to gospel and karaoke — to celebrate difference and question social norms, delivering warmth and poignancy.
In French.
Festa Mediterranea gathers musicians, dancers and tradition-bearers from Southern Italy in a celebration of communal ritual and seasonal renewal. Rooted in popular cultures, the program threads fervor, humour and virtuosic technique through concerts, a communal bal and dance workshops. Textures of voice, percussion and folk stringed instruments conjure pastoral landscapes, proposing an ecology of sound where heritage is continuously reinvented. The experience is both exuberant and intimate, inviting shared movement and attentive listening.
Emma Saba and Jeanne Pâris revive the lyric repertoire in a subversive, celebratory performance. Playing with time and inheritance, Saba reworks early arias into electric fragments, laughter and amplified sighs. The piece interrogates the politics of the voice as opera sheds its white pageant to become raw material, desire, anger and tenderness. Part performance, part concert, Jalousie des tempêtes stages a ritual of dismantling and rejoicing, where vocal technique meets bodily intensity and theatrical invention.
Carminho, one of the most renowned fado singers, will perform at Victoria Hall for a special evening celebrating The Great Voices of Fado. As a true heir to the fadista tradition and daughter of Teresa Siqueira, Carminho captivates with her modern sensibility while preserving the essence of fado. Known for her collaborations with artists like Rosalía, she brings remarkable cultural fusions to the stage. Her powerful vocals and commanding presence promise a unique experience, ensuring an unforgettable evening that melds tradition with modernity.
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