On ne divorce plus is a sharp, fast-paced French comedy that explores modern marriage through the misadventures of Anna and Marc-André. The play mixes witty dialogue and situational farce as the couple tries unconventional methods to rekindle their relationship, stumbling through confusion, misunderstandings and small revelations. Toned with warmth and irony, the staging invites reflection on intimacy, routines and the little gestures that keep love alive.
In French.
Assembled at the initiative of Vincent Ruiz and Nicolas Masson, this newly formed quartet offers an open, democratic interpretation of recent compositions by Nicolas Masson. The project blends composed material and responsive improvisation, allowing structures to emerge and be shaped in real time. The ensemble—Nicolas Masson (saxophone), Théo Duboule (guitar), Vincent Ruiz (double bass) and Nathan Vandenbulcke (drums)—explores textural interplay, collective listening and the elasticity of form in contemporary chamber jazz.
Gli Angeli Genève performs a programme of sacred cantatas and motets by Johann Sebastian Bach and Andreas Hammerschmidt. The concert features Bach’s BWV 66, BWV 154 and BWV 168 alongside Hammerschmidt motets, delivered by choir and soloists with period-informed interpretation and transparent instrumental support. The evening explores spiritual contrasts—intense emotion, luminous choruses and expressive arias—presented with refined phrasing and historical sensitivity.
Four performers embody testimonies from different generations in Sept, situated at the crossroads of dance and film. Between intimate confidences and tender tableaux, the piece examines how age shapes us and stages a delicate exploration of what growing older means, revealing a shared humanity. The staging shifts between projected images and live bodies, weaving visual and physical layers to create an experience that is both poetic and unsettling.
Part of a recurring midday series, this intimate chamber performance by Ocg explores resonant dialogues and subtle dynamics across a concise programme. The musicians shape transparent textures and close collective listening, moving between lyrical lines and crisp articulations. Emphasis is placed on refined timbral contrasts, attentive pacing and a clear dramaturgy of sound that invites reflection. The experience is succinct yet intense, favouring detail, nuance and a contemplative atmosphere.
Presented in collaboration with the Orchestre de la Suisse Romande and the Concours de Genève, this cycle highlights emerging composers and conductors in a series of high-level performances. Candidates present new works and conduct symphonic programmes, forging a direct dialogue with the orchestra and showcasing contemporary compositional voices alongside established repertoire. The events emphasize craft, mentorship and concentrated insight into compositional technique and conducting interpretation.
Two short plays by Anton Chekhov staged by Tibor Ockenfels and Flavie Tapparel, presented as compact dramatic machines where romantic comedy masks escalating confrontations between desire, affection and material interest. Performances rely on precise physical timing, terse exchanges and a lean, playful design to reveal the simmering violence behind courtship rituals. The three actors — Estelle Bridet, Matteo Prandi and Raphaël Vachoux — inhabit heightened character types that shift between farce and darker comic truth, creating a sharply observed, kinetic evening.
In French.
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