Explore a gentle story about Bama and the secret of the sanza. Observe the small wooden instrument, its carved shapes and bright tones. Listen as the storyteller brings Bama’s journey to life with hushes, rhythms and warm voice. Children will imagine the scenes, feel the music’s vibrations, and talk about kindness and courage. This family activity blends looking, hearing and sharing moments together.
In French. Kids ages 5 and up.
The MAH showcases Tonutopie, an innovative installation by German artist Hans-Walter Müller, a trailblazer in inflatable structures. This large, transparent, and habitable sphere, nestled within Vincent Lamouroux’s La Passerelle, offers a unique sensory experience. It delves into the contrasts between the fluidity of inflatable structures and the rigidity of traditional architecture, providing visitors with a fresh perspective on space.
Fertile Hybridations explores the many forms of encounters and interweavings between humans, non-humans, knowledge systems, and temporalities.
Visitors are invited to inhabit the space, to question, to connect with these artist-researchers and designers, and—like them—to attempt to engage in dialogue and move beyond anthropocentrism, the idea that humans are at the center of everything. Instead, the exhibition encourages recognizing forms of intelligence or agency in other species, and building new relationships and exchanges.
Through this evolving exhibition, enriched by the intersection of art, design, and science, HiFlow becomes a living laboratory—a space for fertile alliances…
Meeting: Tuesday 16 June, 9:00 – 13:00 (in French)
Vladimir Kartashov presents site-specific installations that unfold across historic island spaces, exploring temporal sequences and memory. Through sculptural interventions, architectural adaptations and subtle interventions in sacred interiors, the artist stages a choreography of objects and light that reconfigures perception of place and time. The series juxtaposes material rigor with ephemeral gestures, inviting reflection on duration, ritual and the layered histories embedded in built environments.
Opening: Friday 8 May, 19:30
In the presence of the artist
Musical performance by Manuel d’Amico Principle Double Bass of the Orchestra Regionale Filarmonia Veneta
The Tender Buttons exhibition offers a multidisciplinary exploration centered on buttons, delving into their identity and historical significance. Featuring over three hundred ceramic and glass buttons, the exhibition interacts with the museum’s works to highlight their role in both formal experimentation and socio-cultural narratives. The exhibition’s architecture evokes the commercial arcades of the 19th century, a pivotal era for button industrialization. Curated by Claire FitzGerald, the exhibition is supported by the Swiss Fashion Museum and showcases never-before-seen pieces from several prestigious collections.
Jean-Jacques Rousseau’s herbarium, compiled in the 1770s for the printer-bookseller Charles-Joseph Panckoucke, is presented through preserved pressed specimens, its original catalogue and related botanical publications. The historical collection combines scientific observation and aesthetic arrangement, revealing Enlightenment approaches to collecting, classification and the popularisation of plant study. Detailed notes and annotations illuminate Rousseau’s techniques and the materiality of specimens, inviting reflection on how personal curiosity and scholarly networks shaped early modern natural history.
This exhibition explores the careers of Édouard Naville, Switzerland’s pioneering Egyptologist, and his wife Marguerite Naville, whose contributions alongside him are now recognised in their own right. Through archival documents, excavation records and pharaonic objects, the presentation illuminates their archaeological practice and Marguerite’s role, while situating their work within the political, religious and humanitarian commitments that shaped scholarly life at the turn of the twentieth century.
In French and in English.
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