The exhibition “Sauvages” at the Cité Library invites visitors to delve into the behind-the-scenes of Claude Barras’s film. It is divided into three sections that cover the ecological and cultural aspects of Borneo, reveal the creative and production processes of the film, and immerse the audience in the filming atmosphere through never-before-seen photos and testimonials. Original documents, drawings, travel journals, sets, and figurines enhance this immersive experience.
Victoire Cathalan presents a series of paintings that trace the porous boundary between human presence and forested life. Through layered oils and textured surfaces, her canvases evoke arboreal forms, bodily traces and the regenerative forces of the living world. The exhibition invites sustained looking at the vegetal as subject and collaborator, exploring scale, gesture and the interdependence of bodies and trees through a subtle palette and material intensity.
Opening Wednesday 20 May.
An extensive survey assembled from a long-standing research collection devoted to glass, this exhibition takes a contemporary look at a millennia-old material. Over two hundred glass and mixed-media works, including sculptural objects, design pieces and installations, testify to a transdisciplinary experimental spirit. Featuring artists such as Ettore Sottsass, Pierre Charpin, Betty Woodman, Bob Wilson, Giuseppe Penone, Jana Sterbak and James Lee Byars, the show examines materiality, technique and the porous boundaries between craft, design and contemporary art.
Opening : Thursday 23 April, 18:00
Guided Tours (in French)
An interactive exhibition that invites visitors of all ages to explore the biological clocks that govern life on Earth. Through hands-on installations, immersive displays and scientific demonstrations, the show unveils the mechanisms and rhythms of circadian, seasonal and developmental timing. Multimedia exhibits and experimental stations illustrate how organisms synchronize with their environment and why respecting these rhythms matters for ecosystem balance. Educational workshops offer practical learning for school groups and families.
Genevan artist Gérald Grosjean presents a focused series of paintings and handcrafted maquettes that examine industrial and railway landscapes. The show gathers twenty-seven canvases and three models made from reclaimed materials, emphasising a pointillist approach to structures such as stations, bridges, dams, factories and viaducts. Through meticulous dots and assembled found objects, Grosjean explores the aesthetic presence and collective memory of infrastructure, inviting reflection on material reuse and the visual poetry of engineered landscapes.
Opening : Tuesday 19 May, 18:00
MABE Gallery presents Forza Silenziosa, the second solo exhibition of Sofia Cacciapaglia, whose paintings evoke a quiet, fluid world where forms, bodies, and landscapes gently merge, expressing a soft yet powerful feminine presence rooted in emotion, connection, and subtle energy.
Her work emphasizes transformation, intimacy, and dreamlike atmospheres, where silence carries intensity. Using reclaimed cardboard from her Milan neighborhood, she connects to the ethos of Arte Povera—a movement theorized by Germano Celant and associated with artists like Michelangelo Pistoletto and Jannis Kounellis—by embracing ‘poor’ materials and their histories; however, she diverges through her distinctly figurative and painterly approach, transforming humble surfaces into poetic images that bridge material awareness with narrative, imagination, and contemporary femininity.
Opening: Thursday 7 May, 16:00 – 21:00
Dany Gignoux (photographer) and poet Georges Haldas present a compelling dialogue between documentary photography and lyrical prose. The exhibition brings together photographs and written fragments that register everyday life in Geneva’s cafés, combining on-the-spot reportage with memory-infused “prose inspirée.” Through intimate black-and-white images and spare, evocative texts the works transfigure mundane scenes into poetic testimony, revealing social undercurrents and human tenderness. Archival materials frame this historic encounter between two generations of cultural chroniclers.
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