An intimate lunchtime concert featuring a string quartet: Lucas Monerri (violin), Piotr Kawecki (violin), Robin Lemmel (viola) and Coralie Devars (cello), drawn from the Geneva Chamber Orchestra. The program centers on Franz Schubert’s String Quartet No. 14 in D minor, ‘Death and the Maiden’, its dramatic motifs and lyrical slow movements unfolding in close-up, chamber textures. Expect concentrated interplay, quiet tension and moments of stark intimacy that invite sustained listening.
An introspective monologue for multiple voices, La Table d’Amour is a poetic theatrical immersion inspired by a Tinos island tradition. Performed by Manon Krüttli and Jeanne De Mont, the piece follows Manon Krüttli’s journey between autobiography, fiction and dreamlike reverie. It probes questions of living together, reconciliation and the role of conviviality as an artistic gesture, creating an intimate, sensory staging that favors lyricism and shared presence.
In French.
Zamakan is a trio led by Egyptian saz master Abdallah Abozekry, guitarist Baptiste Ferrandis and Indo‑Helvetic violinist Baiju Bhatt. Their oriental jazz blends original compositions with improvisation, weaving vigorous rhythms and drifting poetic reveries. The music foregrounds multicultural identities and adventurous interplay: Abozekry’s hypnotic saz, Ferrandis’s inventive guitar and Bhatt’s virtuosic violin create layered textures that move from intimate stillness to incandescent intensity. Their new album Dans le ventre de la nuit frames the project as an assertion of bold, global creativity.
An annual mediation project, Fête du Théâtre gathers Geneva’s community around the performing arts, showcasing contemporary and classical theatre, street spectacles, youth shows, circus and magic alongside workshops and encounters. The programme favours collaborative, colourful staging and experimental approaches, blending professional and amateur practices. Its varied formats create lively, tactile atmospheres where humour, wonder and social exchange meet, highlighting regional artistic daring and long-standing partnerships with local cultural institutions and associations.
Scène Vagabonde’s seventh edition brings a compact program of contemporary theatre and music, presenting three contrasting stage works — “Par le bout du nez”, “Quadrille” and “Prima facie” — alongside a concert by Orchestre Tout Puissant Marcel Duchamp as part of La Bâtie-Festival de Genève. Across intimate stagings the festival favors inventive direction, close ensemble interplay and a balance of wit and intensity, offering encounters that privilege physical presence, tonal variety and rigorous dramaturgy.
Celebrating Chopin’s lyricism, passion and refinement, this festival presents a sequence of solo recitals, chamber concerts and a dedicated masterclass. Performers include pianists Paweł Wakarecy, Mertol Demirelli, Adam Kałduński, Krzysztof Wierciński and Mateusz Krzyżowski, alongside cellist Marcin Zdunik and the Quintette Éphémère. The programming favours intimate pacing and refined rubato, with attention to phrasing and tonal colour. Expect moments of poetic introspection and virtuosic brilliance, where clear, luminous sound and careful dynamics shape a contemplative, emotionally direct experience.
Created by Manon Bril and Etienne Lautrette and directed by Théo Comby Lemaitre, this hybrid lecture-performance blends scholarly rigour with theatrical wit. Historian Manon Bril guides the audience through surprising episodes of human history, overturning assumptions with a sharp, offbeat humour and playful staging. The show mixes clear popular-science explanation, theatrical images and comic timing to reveal that nothing has “always been like this”.
In French.
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