4 – 13 October

Chopin Festival Geneva 2026

Booking Required

Celebrating Chopin’s lyricism, passion and refinement, this festival presents a sequence of solo recitals, chamber concerts and a dedicated masterclass. Performers include pianists Paweł Wakarecy, Mertol Demirelli, Adam Kałduński, Krzysztof Wierciński and Mateusz Krzyżowski, alongside cellist Marcin Zdunik and the Quintette Éphémère. The programming favours intimate pacing and refined rubato, with attention to phrasing and tonal colour. Expect moments of poetic introspection and virtuosic brilliance, where clear, luminous sound and careful dynamics shape a contemplative, emotionally direct experience.

passage Marie-Claude-Leburgue 2,
Switzerland

Photo Credit: Société Chopin Genève

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Photo Credit: Société Chopin Genève

Sunday 27 September, 19:30

Aterciopelados & Palenque la Papayera

Performances

Alhambra

Aterciopelados, led by Andrea Echeverri and Héctor Buitrago, bring three decades of socially conscious rock fused with Latin rhythms. On this tour they celebrate La Pipa de la Paz — 30 Years with a set that balances electric immediacy and poetic lyricism. Support act Palenque La Papayera offers exuberant banda rooted in Caribbean mestizaje, communal dance and brass-driven textures. Together they create a festive, visceral dialogue where political urgency meets collective joy and movement.

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15 – 27 September

D’amour et d’eau fraîche

Performances

Théâtre du Loup

Directed by Rémi Dufay, D’amour et d’eau fraîche is a stage adventure that celebrates movement, friendship and the unforeseen. Rémi Dufay and his ensemble probe margins and fragile frames, staging situations that slip away in a deliberately unsteady ceremony. The production blurs reality and magic, carrying the audience through a joyful, rocambolic wandering. A lively, generous performance that refuses stillness and favours continual transformation.

In French.

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24 – 27 September

Pewma

Performances

Théâtre de l'Usine

Choreographed by Valeska Romero Curiqueo, Pewma (Mapudungun for “dream”) weaves dance, performance, live sound and poetry to trace transmissions between bodies. The piece confronts peripheral, wounded and violently marked identities through ritualized gestures and sensual collisions, invoking Venus as a figure of omen, destruction and rebirth. Live violin, synthesizers and vocals shape a tense, luminous soundscape as bodies dissolve and reconstitute, staging desire, friction and collective memory.

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Sunday 27 September, 19:00

Lalou – Qui N’a Pas de Nom de Spectacle

Performances

BFM

Lalou presents a raw, untitled one‑woman show that blends sharp wit, spontaneity and candid honesty. Through frank storytelling and self‑mockery she delivers a fast‑paced, laugh‑filled performance that invites recognition and warmth. The evening unfolds as intimate, unscripted confessions where everyday moments become affectionate comedy, leaving the audience amused and uplifted. Minimal staging and dynamic pacing accentuate her storytelling, creating a close, electric atmosphere. Her voice mixes tenderness and irony, drawing the audience into familiar moments reworked into sharp comic scenes.

In French.

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25 – 27 September

Festival d’automne

Performances

Cathédrale Saint-Pierre

Festival d’automne presents a programme of intimate organ and ensemble concerts exploring timbre, ritual and storytelling. Highlights include the electro-acoustic duo “Tuyaux et ondes” with Jacques Tchamkerten (ondes Martenot) and Vincent Thévenaz (organ), a narrated Mexican legend featuring Zeltzin Pérez and Diego Galicia Suárez, and a musical portrait celebrating Lionel Rogg with Anne Page, David Titterington, Alessio Corti and the choir Cantus Laetus led by Natacha Casagrande. The series favours reflective atmospheres and virtuosic instrumental colour.

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15 September – 11 October

Oncle Vania

Performances

Théâtre des Amis

Directed by Françoise Courvoisier, this production of Anton Chekhov’s Oncle Vania — translated by Arthur Adamov — assembles a committed ensemble (Vincent Bonillo, Pierre Dubey, Bérangère Mastrangelo, Patricia Mollet-Mercier, Clarisse Morizot, Pierre Omer, Juliana Samarine, Edmond Vuilloud) to explore love, the passage of time and illusions lost. The staging, created with scenographer Gilbert Maire and painter André Kasper, uses Rinaldo Del Boca’s lighting, Pierre Omer’s music and Nicolas Le Roy’s sound to evoke both the comedy and the terrifying humanity of Chekhov.

In French.

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Chopin Festival Geneva 2026