4 – 13 October

Chopin Festival Geneva 2026

Celebrating Chopin’s lyricism, passion and refinement, this festival presents a sequence of solo recitals, chamber concerts and a dedicated masterclass. Performers include pianists Paweł Wakarecy, Mertol Demirelli, Adam Kałduński, Krzysztof Wierciński and Mateusz Krzyżowski, alongside cellist Marcin Zdunik and the Quintette Éphémère. The programming favours intimate pacing and refined rubato, with attention to phrasing and tonal colour. Expect moments of poetic introspection and virtuosic brilliance, where clear, luminous sound and careful dynamics shape a contemplative, emotionally direct experience.

passage Marie-Claude-Leburgue 2,
Switzerland
Photo Credit: Société Chopin Genève
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Photo Credit: Société Chopin Genève

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6 – 18 October

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Directed and performed by Eve Aouizerate, Amours subversives stages a wry, intimate interrogation of gender and desire. With performers Mathilde Lyon and Dylan Poletti, the piece pivots on a provocative premise — a young woman’s decision to abandon a nascent career for the tradwife ideal — and unfolds as a personal theatrical essay on power, intimacy and the contradictions of femininity in 2026. Sparse staging and candid narration create a fierce, tender atmosphere.

In French.

6 – 7 October

FURTHER AFIELD

Olivier Debelhoir makes his first in-theatre creation with La vie de ma mère, a circus-theatre piece led by Compagnie d’un Ours. As performer and director, Debelhoir and his collaborators probe language, vertigo and the mechanics of wonder, combining intimate clowning, accordion music and surreal apparitions. Staged encounters — including a knight figure and a momentary levitation forty-seven centimetres above the ground — build a tense, poetic atmosphere that oscillates between humour and uncanny lyricism.

In French.

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An introspective monologue for multiple voices, La Table d’Amour is a poetic theatrical immersion inspired by a Tinos island tradition. Performed by Manon Krüttli and Jeanne De Mont, the piece follows Manon Krüttli’s journey between autobiography, fiction and dreamlike reverie. It probes questions of living together, reconciliation and the role of conviviality as an artistic gesture, creating an intimate, sensory staging that favors lyricism and shared presence.

In French.

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