Suzane’s concerts pull you in: taut movement, a steady stare and lyrics that say things without hesitation yet make you dance. Revealed to the public with Toï Toï and confirmed on stage, she returns with Millénium, a raw, timely album. On stage she blends choreography, direct storytelling and propulsive electronics to create intense scenes and communal release. Presented in partnership with Inouïe.
Step into a warm, woven world of stories imagined by Barbara Sauser, creator of the tricot‑contes. Tales are spun with the strength of thread, the warmth of wool and the softness of silk. Children are invited to hear living stories that spark imagination, share thrills and laughter, and bring the magic of theatre closer. Through vivid voices and sensory storytelling, young audiences explore feelings, dreams and growing up.
In French. Kids ages 6 and up.
Scène Vagabonde’s seventh edition brings a compact program of contemporary theatre and music, presenting three contrasting stage works — “Par le bout du nez”, “Quadrille” and “Prima facie” — alongside a concert by Orchestre Tout Puissant Marcel Duchamp as part of La Bâtie-Festival de Genève. Across intimate stagings the festival favors inventive direction, close ensemble interplay and a balance of wit and intensity, offering encounters that privilege physical presence, tonal variety and rigorous dramaturgy.
Directed by Nathalie Cuenet and written by Valérie Poirier, Dire adieu is performed by Compagnie Volodia. The piece stages fragmented conversations between a daughter and her mother, probing a quest for recognition and the fragile possibility of reconciliation. Its form recalls the codes of Greek tragedy, using heightened language and concentrated staging to explore memory, silence and unresolved grief. The ensemble creates a tense, intimate atmosphere that makes emotional rupture palpable.
In French.
Created and performed by Anne-Sophie Turion, Grandeur Nature is an audio-guided promenade that lets listeners slip into the intimate lives of strangers. Wearing headphones, the audience follows a voice-over that transforms ordinary streets, parking lots and public gardens into a theatrical, subtly augmented reality. Real residents become the protagonists of a narrative woven from their own stories, producing a delicate, poetic exploration of the everyday and the hidden resonances of urban life.
In French.
An introspective monologue for multiple voices, La Table d’Amour is a poetic theatrical immersion inspired by a Tinos island tradition. Performed by Manon Krüttli and Jeanne De Mont, the piece follows Manon Krüttli’s journey between autobiography, fiction and dreamlike reverie. It probes questions of living together, reconciliation and the role of conviviality as an artistic gesture, creating an intimate, sensory staging that favors lyricism and shared presence.
In French.
Reuniting after roughly thirty years, Dazzling Killmen return with a fierce, uncompromising sound that blends pre/math rock, post-metal, hardcore-punk and jazz-core textures. Their intense, tightly wound compositions unfold with brute energy and intricate rhythms. The evening also features a specially curated DJ set by Passage de Disques (Bamba Triste and Fuxy Lady), weaving experimental grooves that complement the live assault and expand the night’s sonic palette.
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