An afternoon of live music and easygoing celebration transforms the room into a dance floor. Whether arriving alone or as a couple, audiences are invited into a warm, convivial atmosphere where movement and music meet in an informal setting. The experience is light, social, and welcoming, with the energy of a shared dance gathering and the pleasure of music played live.
Set between domestication and escape, La zone nono follows a troupe of ragged yet endearing animals seeking community and freedom. Two table puppeteers and two musicians bring to life quirky creatures through live music and songs, blending humour and poetry. The staging balances intimacy and playful invention, exploring solidarity, resilience and the pull of the wild. The show is performed in French and mixes witty storytelling with musicality and inventive puppetry.
In French.
BBBBBBB, the Japanese duo of Saionji (voice and sound production) and Sawa (voice), unleashes a sonic upheaval where digital hardcore collides with noise, industrial textures, trap and other unruly sounds. US guitarist Erica Dawn Lyle brings an intense, abrasive electric-guitar solo, carving a raw and uncompromising path through distortion and physical energy. Bamba Triste and Fuxy Lady round out the evening with a record-spinning set specially conceived for this occasion, extending the night’s adventurous, unruly soundscape.
Focus Jeune Création brings together a new generation of Romand artists over two weeks, presenting five bold and hybrid performances that blur theatre, performance and live art. The program explores emergent writing and stage practices— from plateau-based text to pieces rooted in the real—offering layered, often indisciplinary approaches that question formats and invent languages for a transforming world. Accompanying meetings and discussions extend the works and open insight into creative processes.
Two short plays by Anton Chekhov staged by Tibor Ockenfels and Flavie Tapparel, presented as compact dramatic machines where romantic comedy masks escalating confrontations between desire, affection and material interest. Performances rely on precise physical timing, terse exchanges and a lean, playful design to reveal the simmering violence behind courtship rituals. The three actors — Estelle Bridet, Matteo Prandi and Raphaël Vachoux — inhabit heightened character types that shift between farce and darker comic truth, creating a sharply observed, kinetic evening.
In French.
Created and performed by Elina Kulikova and Dima Efremov, TRILOGIE DE LA GUERRE interweaves three musical-performance pieces responding to exile, the war in Ukraine and repression in Russia. Kulikova’s chapters evoke classical and folk song, transforming lament into a ritualised, sensory mourning; Efremov’s contribution uses sound art and electro textures to shift perspective and map clandestine networks of resistance. Together the trilogy forms a compact dramaturgy of intimacy, unease and fragile hope, immersive and politically charged.
Directed by Rebecca Stella and adapted with Danielle Barthélemy, Cendrillon blends classic fairy-tale drama with manga-inspired staging. Pili Loop’s original score, Mathieu Courtaillier’s lighting and the set by Camille Ansquer shape a vivid, contemporary universe. Costumes by Alice Toutev and Sonia Bosc and choreography by Léon add playful movement and character. Anthony Surleraux’s video projections and graphics expand the tale’s visual world, pairing tradition with modern theatrical textures.
In French.
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