1 April – 20 May

Chloé Azzopardi. Non Technological Devices

Maison de l'enfance et de l'adolescence (MEA)

Free

French photographer Chloé Azzopardi presents a speculative photographic project that imagines alternative modes of cohabitation with the living. Composed from gathered natural elements, her “non technological devices” mimic everyday technological objects while operating as prosthetic extensions and obstructions. Between rudimentary craft and science‑fiction, these hybrid artefacts and newly invented objects propose an iconography of ecological self‑defence and generate visual resources for collective imaginaries.

Boulevard de la Cluse 26,
Switzerland

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16 October 2025 – 30 August 2026

PlasMAH: Tonutopia

Art & Exhibits

MAH

The MAH showcases Tonutopie, an innovative installation by German artist Hans-Walter Müller, a trailblazer in inflatable structures. This large, transparent, and habitable sphere, nestled within Vincent Lamouroux’s La Passerelle, offers a unique sensory experience. It delves into the contrasts between the fluidity of inflatable structures and the rigidity of traditional architecture, providing visitors with a fresh perspective on space.

Array

2 April – 17 May

Five Years, Stuck on My Eyes

Art & Exhibits

Le Commun

Documents d’artistes Genève marks five years with Five Years, Stuck on My Eyes, a multifaceted exhibition gathering more than 40 affiliated artists. Through collaborative and networked practices the show presents works across media, exploring collective identity, artistic networks and contemporary social concerns.
Three distinct curatorial positions (Marie Bassano, Jill Gasparina, Caroline Honorien) and a capsule curated by Laurence Favez offer intersecting perspectives that reveal how collaboration shapes artistic identity and practice.

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29 April – 28 June

Enfantillages et bizarreries : vertige d’une collection

Art & Exhibits

An intimate assemblage presents a constellation of small objects—toys, trinkets, charms, perfume bottles, stamps, pencils and marbles—where everyday artifacts hover between plaything and artwork.
Featuring objects by Sol LeWitt, Yoko Ono, Jenny Holzer and Takako Saito, the exhibition traces a collector’s obsessive impulses and imaginative logic.
Through found objects and miniature compositions, it explores childhood as refuge, the thaumaturgic charge of objects, and how desire and loss shape the poetic economy of collecting.

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5 March – 16 May

What Is Really Matter

Art & Exhibits

Gowen Contemporary

Canadian-French artist Sylvie Lambert (b. 1984, Montréal) presents her first solo exhibition, unveiling a new body of work produced predominantly since 2025. Through layered painting, sculptural assemblage and immersive installations, Lambert investigates materiality, perception and the boundary between representation and objecthood. Her practice combines painterly gestures, found materials and discreet colour studies to interrogate memory, embodiment and the politics of surface, inviting sustained attention to texture, scale and fragile systems of meaning.

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16 March – 17 October

Geneva cafés: life itself

Art & Exhibits

Bibliothèque de Genève

Dany Gignoux (photographer) and poet Georges Haldas present a compelling dialogue between documentary photography and lyrical prose. The exhibition brings together photographs and written fragments that register everyday life in Geneva’s cafés, combining on-the-spot reportage with memory-infused “prose inspirée.” Through intimate black-and-white images and spare, evocative texts the works transfigure mundane scenes into poetic testimony, revealing social undercurrents and human tenderness. Archival materials frame this historic encounter between two generations of cultural chroniclers.

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24 April – 23 May

Nicolas Ponce — We Will See Each Other Again in August

Art & Exhibits

Palais de l'Athénée

Artist Nicolas Ponce presents a personal exhibition of video installations that probe pathways of memory, both personal and collective. Works combine archival footage, film extracts, stolen sequences and found online materials to build layered visual montages. The exhibition text examines mechanisms of remembrance and describes an artistic montage of contradictions that opens a ‘Chamber of Reminiscences’. Ponce’s practice centres on video and installation, interrogating set, landscape, secrets and political narratives through the lens of popular culture.

Opening : Thursday 23 April, 18:00
Meeting with artist : Thursday 7 May, 18:00

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Chloé Azzopardi. Non Technological Devices