The MEG and the Grand Théâtre de Genève join forces for a special Apéropéra around Madame Butterfly, in dialogue with the museum’s permanent collection. Expect a vibrant urban aperitif with live musical performances, sprinkled with contemporary anecdotes that offer a fresh, witty take on the opera.
Pour un temps sois peu is a powerful solo piece by Laurène Marx in which she recounts the life of a trans woman through razor-sharp, intimate detail. Text and performance by Laurène Marx, directed by Laurène Marx and Fanny Sintès, with lighting by Solange Dinand. The show blends anger, wit and tenderness to confront medical procedures, violences, social erasure and heteronormative pressures, shaping a raw, urgent language that reclaims lived experience.
In French.
Experience a one-of-a-kind comedy show where a radio broadcast comes to life on stage. Lucas Thorens, a producer at RTS, takes you on a journey filled with stories, surprises, poetic fictions, and existential questions. Time seems to stand still as he rises from his chair to playfully reveal the inner workings of the radio world. This is an unmissable event for discovering the mysteries and wonders of radio with a blend of humor and insight.
In French.
The Orchestre de la Suisse Romande, under the baton of Neeme Järvi, performs Brahms’ “Ein deutsches Requiem” featuring soprano Julie Fuchs, baritone Matthias Goerne, and the Zürcher Sing-Akademie. Composed in the wake of the deaths of Brahms’ mother and his friend Robert Schumann, this poignant work offers a universal message of comfort that transcends religious boundaries.
Renowned comedian Paul Mirabel returns to the stage with his new show “Par Amour.” Known for his self-deprecating humor and honesty, he explores the theme of love with newfound maturity. Following the success of “Zèbre” and quickly sold-out shows in the Romandy region, he will perform at Geneva Arena, promising performances that reflect his immense talent and success.
Molière’s Tartuffe tells the story of a slick con-man who hides behind ostentatious piety to worm his way into the wealthy Orgon household. Orgon, dazzled by Tartuffe’s sanctimonious rhetoric, defends him even as the impostor’s hypocrisy poisons family bonds and pushes the household toward ruin.
Director Jean Liermier underscores how, in Molière’s work, the female characters serve as the moral compass and spark of resistance, a beacon of hope against oppression. Staged on a stark, minimalist set that exposes the family’s rigid tensions—and featuring Gilles Privat as an unbending Orgon—this production highlights the play’s continuing resonance in a world beset by egotism, fanaticism, and conspiracy thinking. The central question remains timeless: will society keep falling for Tartuffe’s brand of seductive deceit?
In French. Ages 12 and up.
Explore a community circular-economy hub through a guided tour that examines reuse, sharing and repair practices. Participants discover the reuse shop, objects library, repair workshop and craft studio and learn how these services extend product lifecycles and reduce waste. The session examines practical methods for material reuse, collaborative borrowing systems and basic repair workflows, offering concrete insights into local circular initiatives and ways individuals and organisations can apply these strategies.
In French.
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