Renowned comedian Paul Mirabel returns to the stage with his new show “Par Amour.” Known for his self-deprecating humor and honesty, he explores the theme of love with newfound maturity. Following the success of “Zèbre” and quickly sold-out shows in the Romandy region, he will perform at Geneva Arena, promising performances that reflect his immense talent and success.
When we hear the word “family,” we often think of our own. But today, with so many different models, what truly defines a family?
In this playful, child-friendly performance, Muriel Imbach explores these questions through six whimsical characters — futuristic poets who reflect on chosen families, blended families, and the invisible bonds that connect us. A poetic journey into what it means to “make family” today.
In French. Kids ages 8 and up.
An intergenerational celebration of learning and ensemble, presented by teachers and students from Catalyse, CEC André-Chavanne, CMG, eMa, Institut Jacques-Dalcroze, La Bulle d’Air and l’Ondine Genevoise. Students of all ages and levels perform in a sequence of short recitals and collaborative moments, ranging from tentative first steps to confident showcases. The program blends pedagogical workshops and shared performance, offering varied musical styles, intimate moments and communal energy that highlights discovery, mentorship and collective creativity.
As part of the cultural season in Plan-les-Ouates, the Puck Collective presents a historical drama based on testimonies from Burkina Faso and Switzerland. The story follows Aminata, who ventures to Burkina Faso after her mother’s passing to uncover her past, intricately linked to the assassination of President Thomas Sankara. Immersed in a popular uprising, Aminata navigates a landscape of hope and uncertainty while confronting the hidden aspects of her personal history. The performance delves into Sankara’s legacy and raises questions about the future of coming generations.
In French.
Sur Le Temps brings together Ensemble Batida, a contemporary trio of percussionists (Alexandra Bellon, Anne Briset, Jeanne Larrouturou), and the vocal quartet Contre le Temps, whose female voices specialise in medieval repertoire. The programme juxtaposes organum with open improvisation, exploring the distance between a centuries‑old vocal practice and an intensified attention to the present. The first part presents organum; later the musicians engage in improvised encounters that blur historical and contemporary sound worlds.
The project is organised by Ensemble Vide, an interdisciplinary platform for contemporary music and artistic research.
Succès Reprise is a sparkling vaudeville that blurs the line between theatrical comedy and the comedy of everyday life. A charming love triangle performed by a tight trio of actors unfolds through rapid-fire exchanges, physical gags and shifting misunderstandings. The staging favours bright pace and playful timing, delivering light-hearted warmth while revealing awkward human impulses and social foibles. The piece leaves a lingering smile and a sense of affectionate irony.
In French.
Recluses Fest #9 gathers raw punk and rock energy across two nights, with saturated riffs, fierce pogoing and a strong sense of camaraderie. The programme features Les Wampas, Dirty Old Mat, La Raymonde and La Java Noire on the first night, and Les Ramoneurs de Menhirs (20th anniversary), Opium du Peuple, René Binamé and 1 Kub on the second. The festival favours uncompromising, high‑velocity performances and an intense live atmosphere.
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