Growing out of adolescence and defending their childhood forest: Blaireau Dégâts narrates his fight with energy, humor, and emotion. Joined by his sister Cléo, a fashion influencer, they strive against the system to save their forest. This dynamic performance on ecology, family, and youth activism is presented by La Compagnie dans l’Arbre, known for blending contemporary writing with visual theater to provide an immersive and poetic experience.
In French.
A performed reading by Alex Quicho and Elizabeth Gabrielle Lee that probes decapitation as both metaphor and material. Quicho, a London-based theorist and writer, blends critical writing, performative lecture and moving-image practice; Lee, artist and research director, works with new media, orality and public programming to examine post‑tropical environments, psychic rupture and neo‑gothic currents. The piece pairs rigorous theorizing with embodied voice and subtle sonic textures, creating an intimate, spectral atmosphere. Presented during a residency curated by Jade Meili Barget.
Produced by the Madre de la Culebra company, this music, circus and dance performance imagines a world emptied of sound after music has been stolen. Two courageous performers, dancers and acrobats, embark on a quest to reclaim melody, encountering unexpected figures along the way. They fuse contemporary dance, acrobatics, floorwork and folk steps around the Chinese pole, creating gravity-defying tableaux. On-stage musicians supply original compositions, while the staging probes identity, power and the fragile interplay of sound and movement.
Directed by Marie Wyler and adapted from Violaine Bérot’s novel, Comme des bêtes follows a man nicknamed “the Bear” whose difference unsettles a mountain village after a child is sighted near his cave. Performed by Marie Probst, Marie Ruchat, Alexandra Tiedemann and David Casada, the piece mixes elements of folk tale and detective narrative to probe mutual taming between humans and other forms of life. Giulia Muniz’s costumes, David Kretonic’s lighting and Rudy Deceliere’s sound design build a tense, mysterious atmosphere that questions the limits of rationality.
In French.
Directed by Richard Gauteron and written by Hervé Devolder, Succès Reprise is a delightfully cunning vaudeville that folds theatre into life. Three actors rehearse a hit play in which a woman leaves her husband for his lover, while offstage romantic entanglements mirror and complicate those roles. The piece balances sharp comedy, backstage intrigue and thorny financial stakes, staging mise en abyme with precision and warmth. Produced by Théâtre Marathon, it arrives as a celebrated Off d’Avignon success.
In French.
Rash Panzer have been playing hard, powerful rock since 1979. Onstage they deliver relentless guitar-driven energy, raw riffs and propulsive rhythms that push toward catharsis. The quartet’s sound emphasizes muscular grooves, gritty vocals and an unpolished intensity that favors sweat and crowd momentum over refinement. Presented by BAG within the ‘Beyond the Blues’ concert series, the performance promises a visceral, communal experience that foregrounds physicality and sonic impact.
Murmuration, choreographed by Sadeck Berrabah, assembles fifty dancers in a striking fusion of hip-hop, martial arts, contemporary dance and ballet. The piece explores collective movement through geometric staging and razor‑sharp synchronization, framed by a newly conceived lighting concept that sculpts bodies and space. With an emphasis on ensemble dynamics and emotional intensity, the production balances athletic precision and lyrical moments to create an immersive, sensory performance.
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