Adieu je reste is a sharply comic theatre piece about two women who, betrayed by the same man, forge an unexpected bond. The staging favours intimate domestic detail and brisk, character-driven dialogue, exploring deception, loyalty and female solidarity with warmth and wit. Sparse set and focused performances underline moments of humour and revelation, shifting between farce and tender insight.
In French.
An energetic evening of spontaneous theatre, the 32nd Mondial d’Improvisation brings together agile improvisers who craft scenes and characters on the spot. The ensemble explores rapid storytelling, sharp comic timing and emotional risk, playing with form and audience suggestion. Staging favors minimal props and a nimble ensemble dynamic, producing a vibrant, unpredictable atmosphere where creativity and collaboration drive every moment.
In French.
Nos voisins artificiels stages a tense, intimate theatrical exploration of human relationships in the age of technology. A focused ensemble navigates shifting boundaries between empathy and estrangement through precise physicality, fragmented dialogue and luminous stagecraft. The piece blends dark humour with moments of quiet vulnerability, relying on carefully designed lighting and minimalist sets to heighten emotional textures. Audience members are invited to witness ambiguous intimacy and the uncanny rhythms of contemporary coexistence.
In French.
Two short plays by Anton Chekhov staged by Tibor Ockenfels and Flavie Tapparel, presented as compact dramatic machines where romantic comedy masks escalating confrontations between desire, affection and material interest. Performances rely on precise physical timing, terse exchanges and a lean, playful design to reveal the simmering violence behind courtship rituals. The three actors — Estelle Bridet, Matteo Prandi and Raphaël Vachoux — inhabit heightened character types that shift between farce and darker comic truth, creating a sharply observed, kinetic evening.
In French.
JazzContreBand celebrates its 30th anniversary with a new creation led by trumpeter Erik Truffaz. Franco‑Swiss musicians join forces with the Orchestre des Alpes et du Léman in Side by Side, a programme that blends classical writing, jazz phrasing and open-ended improvisation. The project explores textural contrasts, orchestral colours and solo interplay, shifting from intimate chamber passages to wide, cinematic swells. Expect nuanced dynamics, luminous timbres and collaborative dialogue across genres.
Choreographed by Cindy Van Acker and created with textile artist Vanessa Riera, this défilé-performance gathers a mixed community of young people in migration, participants in artistic training and those described as ‘en rupture’. It centers on upcycling fabrics and collective empowerment, blending improvised, moment-driven movement with tactile costume interventions. The work strikes a close dialogue with surrounding artworks and the public, presented within the exhibition Observatoires: Carte blanche à John M Armleder and the 4th edition of the biennale Dance first. Think later.
In French.
Led by the Big Band des Eaux-Vives, this concert reimagines classic hard-bop repertoire with original arrangements of works by Art Blakey, Horace Silver, Lee Morgan, Freddie Hubbard and Oliver Nelson. The ensemble blends robust brass, propulsive rhythms and moments of lyrical reflection, creating a lively tribute to the spirit of the Messengers. Special guest Daniel Leveillé extends the music into movement with virtuosic tap, while attentive staging and lighting sculpt a warm, dynamic sound-world.
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