Your eyes are about to lie to you. More than 60 optical illusions, holograms, and immersive rooms play with scale, perspective, and perception in this hands-on museum. Unashamedly fun, highly photogenic, and an easy pick for families, friends, or a rainy Geneva afternoon.
Border Forensics presents an audiovisual exhibition of investigative films documenting violence at borders.
Excerpts from three films, The Death of Blessing Matthew (2022), The Death of Roger Nzoy Wilhelm (2025) and Asymmetric Visions (2023), combine documentary footage with geospatial analysis, data visualization and 3D modeling. The works reconstruct contested events, interrogate aerial surveillance and Mediterranean migration control, and foreground communities affected by border violence. The project examines how images and data can document abuses, challenge official narratives and advance claims for mobility justice.
Opening: September 22, 18h30 – speeches, performance, drinks.
Ken-You Ferrero presents luminous paper sculptures that explore nature and light. Working with tissue paper and washi, the artist constructs refined, fragile and symbolic forms that dialogue with materiality, balance and the living. The works emphasise translucency, subtle textures and the interplay of shadow and glow, offering a contemplative experience that interrogates fragility, regeneration and the intimate connections between craft and natural phenomena.
Opening: 3 October, 11:00 – 17:00
Closing 24 October, 11:00 – 17:00
An open collective of workshop participants presents multidisciplinary works that trace creative processes across visual and performing arts. The program gathers painting, sculpture, photography and video, alongside theatre and music performances, to explore trajectories of making and ephemeral scenes arising from collaborative practice.
Photographic and filmic fragments, staged moments and sculptural interventions foreground processes of rehearsal, transmission and community. The exhibition examines how workshops nurture experimentation, shared authorship and the evolution of creative ideas.
In French.
Antoine Roth presents a photography exhibition focused on atmospheric and optical phenomena observed over Lake Geneva. Working with a digital camera and a long‑focal lens, he photographs distant horizons where light, water and air converge. The series documents rare mirages, notably the Fata Morgana, exploring the boundary between perceptual illusion and measurable physical event. Through patient field observation and precise framing, Roth examines how light and thermal gradients sculpt landscape appearances and challenge our sense of materiality.
Opening: 27 August, 18:00
Painter Gustave Didelot presents a structured practice around his concept the ‘Monde de peinture’, developed through accumulation and sustained observation. The exhibition comprises canvases that blend figural fragments, architectural motifs, and cultural references—from video games to contemporary art—producing a visual language that oscillates between mirror and distortion. Using layered paint and attentive composition, Didelot sketches a utopian elsewhere: paintings work as windows that invite projection, reveal alternative narratives, and occasionally suggest emergent forms that entangle play and perception.
Opening: 1 October, 18h30
Martin Hyde presents an exhibition examining the relationships between painting, object, ceramics, design and poetry. His practice blurs boundaries between disciplines, producing works that sit between painted surfaces, ceramic forms and functional design, often scaled to engage the surrounding architecture. The show presents sculptural paintings and crafted objects that consider materiality, repetition and the poetics of domestic forms and scale.
Pre-opening & Talk “Art & Design at a Crossroads”: Tuesday 15 September, 12:00 and Thursday 17 September, 12:00 (register by email at info@galeriejoyderouvre.ch)
Opening: Wednesday 16 September, 18:00
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