An energetic homage to pop icons, this concert revisits the greatest hits of the Kings of Pop through powerful, elegant arrangements. Performed by a high‑calibre ensemble, the programme offers rich, dynamic reinterpretations that blend groove, emotion and theatrical energy. Expect moments of soaring melody, rhythmic drive and intimate passages that highlight vocal and instrumental interplay. The evening is crafted to celebrate the legacy of pop music with a festive and unifying atmosphere.
La Bâtie Festival celebrates its 50th edition from 25 August to 13 September 2026! Over three weeks, theatre, dance, concerts, performances, circus and parties will take over venues across Geneva and the region. This anniversary edition also introduces Le Béaba, a new open-air hub at the Musée Ariana, bringing together free events, performances and concerts in a lively, convivial setting.
Guided by the song of whales, Teatro de Lo Inestable crafts a polyphonic narrative around the tragic drift of 25 passengers aboard a cayuco seeking a better world. Inspired by a true story, the piece intertwines poetry and politics through dense text and a physical audiovisual set, where object manipulation and sound create an intimate, haunting atmosphere. The company’s ensemble work emphasizes collective memory and the human cost of migration.
In Spanish.
Performed and directed by Eve Aouizerate, this incisive solo creation blends autofiction and faux stand-up to turn fairy-tale promises into a sharp satire. Using humour and precise stagecraft, Aouizerate interrogates reactionary online imaginaries and the contemporary allure of tradwives, exposing tensions between domestic idealisation and feminist inheritance. The piece mixes intimate confession, comic timing and critical observation to probe identity, boredom and the pressures shaping women’s lives.
In French.
Scène Vagabonde’s seventh edition brings a compact program of contemporary theatre and music, presenting three contrasting stage works — “Par le bout du nez”, “Quadrille” and “Prima facie” — alongside a concert by Orchestre Tout Puissant Marcel Duchamp as part of La Bâtie-Festival de Genève. Across intimate stagings the festival favors inventive direction, close ensemble interplay and a balance of wit and intensity, offering encounters that privilege physical presence, tonal variety and rigorous dramaturgy.
J-Pat is a likable schlaps in this one-man show that blends humour and lightness. Written by Blaise Granget and Marc Zucchello and directed by Marc Zucchello, the performance features Blaise Granget and Damien Naïmi. Through virtuosic violin, rap and a taste for fine cars, the character oscillates between erudition and pop culture—from Seneca to Frida Kahlo and Frozen—building sharp social observations and personal struggles.
In French.
Otis Thaïs Martin performs a solo trapeze piece that turns acrobatic balance into a metaphor for living with anxiety. On a rigging that oscillates and resists, Martin mixes aerial performance, spoken testimony and musical improvisation by Camille Garcia‑Rennes to explore exhaustion, survival strategies and the tenderness of queer kinship. Formerly associated with L’Abri, the artist transforms the stage into a political space for collective care and witness, crafting moments of tension that open onto surprising tenderness and fragile joy.
In French.
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