Through textiles, photography, performance, and writing, Vanessa Riera explores the visible and invisible burdens that permeate women’s experiences: norms, legacies, and inherited traumas, but also care, healing, and resistance. The title evokes those micromovements that allow the body to endure, adapt, and transform—gestures sometimes imperceptible, yet profoundly meaningful.
Opening during Geneva Art Week on September 16, 18:00
EXEM aux urnes – 40 Years of Political Posters brings together 40 political posters by Geneva-based illustrator EXEM between 1988 and 2023. Spanning nearly four decades of Swiss direct democracy, the exhibition explores the distinctive language of political posters at the intersection of graphic art, satire, and political commentary.
Through EXEM’s sharp and engaging imagery, the exhibition traces the political issues and communication styles that have shaped Swiss public life, and offers insight into the artist’s creative process and the stories behind his iconic posters.
Opening: Tuesday 1 September, 18:00
Our eyes are naturally drawn to light and what shines. Yet what could be more fascinating than shadow? Shadows have enabled many fundamental discoveries: the shape of the Earth, the calculation of its circumference, the identification of electrons, and the understanding of planetary motion. They accompany us and enrich our thinking. Come and explore them to learn more about their role in science.
Exhibition in French & in English.
An expanded presentation of works from the Geneva School and the Lake Geneva region brings together paintings and drawings by Ferdinand Hodler, François Bocion, John Torcapel, Alexandre Perrier, Félix Vallotton, Alexandre Cingria and Jean Roll. The display traces regional artistic dialogues across centuries, from academic realism to symbolist and modernist approaches, highlighting technique, compositional daring and materiality. The collection has grown through acquisitions and generous donations, and includes a very rare painting executed in Geneva before 1650, now shown to the public.
Jean-Jacques Rousseau’s herbarium, compiled in the 1770s for the printer-bookseller Charles-Joseph Panckoucke, is presented through preserved pressed specimens, its original catalogue and related botanical publications. The historical collection combines scientific observation and aesthetic arrangement, revealing Enlightenment approaches to collecting, classification and the popularisation of plant study. Detailed notes and annotations illuminate Rousseau’s techniques and the materiality of specimens, inviting reflection on how personal curiosity and scholarly networks shaped early modern natural history.
Students from the Centre de formation professionnelle en Arts (CFP Arts) present collective projects imagining Geneva in the second half of the twenty‑first century. Through garments, jewellery, ceramics, videos, comics, choreography, urban furniture, installations and digital or graphic works, they stage speculative scenarios—from utopian reinventions to dystopian provocations. Employing craft, performance, film and design strategies, the works probe technological, environmental and social futures, asking how everyday life, material culture and public space might be transformed.
Opening: Wednesday 9 September, 18:00.
Cécile Koepfli creates a site-specific window installation of colorful, poetic drawings. Mischievous characters, everyday objects, and fragments of text assemble into a playful, sensitive imaginary world. The works, rendered directly on window panes, unfold as tableaux and narrative vignettes that invite viewers to imagine the activities and encounters that will animate the space.
A seek-and-find game encourages close looking and slow discovery across the illustrated surfaces.
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