27 June – 30 June

Artists of the Geneva School

An expanded presentation of works from the Geneva School and the Lake Geneva region brings together paintings and drawings by Ferdinand Hodler, François Bocion, John Torcapel, Alexandre Perrier, Félix Vallotton, Alexandre Cingria and Jean Roll. The display traces regional artistic dialogues across centuries, from academic realism to symbolist and modernist approaches, highlighting technique, compositional daring and materiality. The collection has grown through acquisitions and generous donations, and includes a very rare painting executed in Geneva before 1650, now shown to the public.

Route du Château-du-Crest 40,
1254 Jussy
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Photo Credit: DR

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17 September – 7 November

Unfamiliar, Luminous, Remote marks Amit Berman’s first solo exhibition at the gallery, following an artist residency in Switzerland earlier this year. Bringing together a new body of paintings, the exhibition explores intimacy, memory and vulnerability through expressive gestures, visible layers of paint and atmospheric compositions. Moving between quiet domestic interiors, fragments of landscape and solitary figures, Berman’s works reflect on the fragile space between familiarity and estrangement, connection and withdrawal.

Created against a backdrop of war and emotional precarity, these intimate yet unsettled paintings reveal a persistent search for connection and belonging within an unstable reality.

Opening: Thursday 17 September, 18:00

Talk: Sunday 20 September, 14:30-15:30 with curator Danniel Tostes and Amit Berman.

22 September – 30 August

Border Forensics presents an audiovisual exhibition of investigative films documenting violence at borders.
Excerpts from three films, The Death of Blessing Matthew (2022), The Death of Roger Nzoy Wilhelm (2025) and Asymmetric Visions (2023), combine documentary footage with geospatial analysis, data visualization and 3D modeling. The works reconstruct contested events, interrogate aerial surveillance and Mediterranean migration control, and foreground communities affected by border violence. The project examines how images and data can document abuses, challenge official narratives and advance claims for mobility justice.

Opening: September 22, 18h30 – speeches, performance, drinks.

16 September – 31 October

Antoni Tàpies presents the complete series “Variations on a Musical Theme”, twenty lithographs created in 1987. The suite reveals Tàpies’s fascination with the interplay between visual art and music: each variation establishes its own rhythm, material presence and visual language. Treated as a continuous sequence, the works unfold like a musical score, inviting an immersive reading of process, texture and symbolic gesture within the artist’s graphic practice.

11 August – 16 October

Hydromondes, a multidisciplinary collective, presents a two‑year field investigation into Lake Geneva through visual and narrative works. Combining art, science and activism, the group brings together architecture, theatre, hydrology, popular education, landscape design, biology, music, ethnography and engineering to produce mixed-media, research-driven installations and documentary narratives. Drawing on dialogues with local residents and ecological knowledge, the works examine water infrastructures, cultural imaginaries and governance, proposing experiments that reveal and question our relationships with the lake.

15 September – 31 October

Cameroonian photographer and visual artist Martin Abega presents a body of work that transforms image into material. Combining photography with textiles, embroidery, cowrie shells and charcoal, he stages photographic compositions and object-based pieces that investigate metamorphosis of body and mind. Themes of ordeal, fragility, trace, transmission and regeneration recur, often through the female figure as emblem. Curated by Ngalula Mafwata, the work opens a contemplative space that asks what remains after transformation.

Opening: 15 September, 18:00
Art’péro: 17 September, 18:00
Closing: 31 October

17 September – 13 December

Curators Ghalas Charara and Rita Elhajj present the second part of a two‑part exhibition that shapes a liminal space between listening and gesture. Through acts of defunctionalization, duplication, displacement, fragmentation and sabotage, the participating artists generate potentials for action and reclaim rhythmic breaths, steps and voices. Works from the host collection sit alongside invited pieces to evoke survivance, mourning and resistance, where memory becomes an embrace enacted by bodies searching for—sometimes finding—ancestral gestures through repetition, dance and semantic shifts.

Opening: Thursday 17 September, 18:00

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