Created by Am Stram Gram and directed by Steven Matthews, this wild Western reinvents the genre with humour and kinetic energy. Matthews and his ensemble interrogate law, money and the idea of progress while pushing the limits of the stage into saloons, robberies, a mock funeral, shadow‑theatre train sequences and breathless chases. The production blends physical theatre, visual invention and comic timing to deliver an irreverent, spirited exploration of community and territory.
In French.
Prima Facie, by Suzie Miller, stages a tense courtroom drama centred on Tessa, a brilliant defence lawyer whose life is upended after she becomes the victim of an assault. Directed by Elidan Arzoni and performed by Anna Budde, the production weaves urgent questions about justice, credibility and power. Danielle Milovic’s lighting and the French translation by Dominique Hollier and Séverine Magois shape a stark, intimate staging. Produced by Les Amis – Le Chariot for Scène Vagabonde Festival.
In French.
Led by musicologist Mathilde Reichler and journalist Charles Sigel, this lecture-concert examines the singular sound world of Sofia Gubaidulina through commentary and live performance by internationally renowned Swiss musicians. The program alternates analytical introductions and concentrated chamber renditions, highlighting spiritual intensity, timbral experimentation and lyrical restraint. Performances emphasise quiet intensity and resonant textures, creating an intimate, contemplative atmosphere that balances scholarly insight with the immediacy of sound.
In French.
Directed by Jérémy Guérard, La femme parfaite traces a daughter’s confrontation with her dying mother and the inherited patterns that bind three generations of women. Through intimate staging, moments of therapy and delicate origami sequences, the production untangles memory, family conditioning and desires for emancipation. The piece weaves ghosts of the past into a portrait of love and liberation, pairing rigorous dramaturgy with emotional clarity. The performance is followed by a discussion with the audience.
In French.
A darkly comic solo play about obsession and domestic chaos. When Michel finds a rare record he has long sought, he prepares a perfect hour to listen — but family, neighbours and a drip that will wreck the disc steadily intrude. The piece skewers selfishness with sharp humour and precise staging, combining intimate realism and heightened farce to probe human smallness and the desperate desire for solitude.
In French.
Zamakan is a trio led by Egyptian saz master Abdallah Abozekry, guitarist Baptiste Ferrandis and Indo‑Helvetic violinist Baiju Bhatt. Their oriental jazz blends original compositions with improvisation, weaving vigorous rhythms and drifting poetic reveries. The music foregrounds multicultural identities and adventurous interplay: Abozekry’s hypnotic saz, Ferrandis’s inventive guitar and Bhatt’s virtuosic violin create layered textures that move from intimate stillness to incandescent intensity. Their new album Dans le ventre de la nuit frames the project as an assertion of bold, global creativity.
Directed by Céline Goormaghtigh and written by Anne Berest, LA VISITE probes maternal instinct with sharp humour and urgent intensity. In a compact domestic setting, a young mother at the limits of endurance confronts visitors while her defenses dissolve; a trio of actresses whirl and collide, delivering a caustic torrent of language and revealing movement. The work explores ‘matraissance’—the birth of motherhood—balancing lucidity, rage and tenderness to unsettle familiar myths about maternal bliss.
In French.
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