17 October – 29 November

Cendrillon

Booking Required

Directed by Rebecca Stella and adapted with Danielle Barthélemy, Cendrillon blends classic fairy-tale drama with manga-inspired staging. Pili Loop’s original score, Mathieu Courtaillier’s lighting and the set by Camille Ansquer shape a vivid, contemporary universe. Costumes by Alice Toutev and Sonia Bosc and choreography by Léon add playful movement and character. Anthony Surleraux’s video projections and graphics expand the tale’s visual world, pairing tradition with modern theatrical textures.

In French.

Salle Centrale de la Madeleine,
Rue de la Madeleine 10, 1204 Geneva

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Photo Credit: DR

23 – 24 October

Samuel Jensky

Performances

Caustic Comedy Club

Samuel Jensky presents a lively solo comedy show that captures the carefree energy and fresh perspective of a new generation. Through sharp storytelling, observational sketches and playful improvisation, the performer navigates absurd everyday situations and quick-witted reflections on identity and social quirks. The piece balances spontaneity and crafted material to keep the atmosphere light and unpredictable, inviting genuine laughter and thoughtful smiles.

In French.

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22 September – 29 November

La Demande en mariage et l’ours

Performances

Théâtre de Carouge

Two short plays by Anton Chekhov staged by Tibor Ockenfels and Flavie Tapparel, presented as compact dramatic machines where romantic comedy masks escalating confrontations between desire, affection and material interest. Performances rely on precise physical timing, terse exchanges and a lean, playful design to reveal the simmering violence behind courtship rituals. The three actors — Estelle Bridet, Matteo Prandi and Raphaël Vachoux — inhabit heightened character types that shift between farce and darker comic truth, creating a sharply observed, kinetic evening.

In French.

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Friday 23 October, 20:00

Benjamin Epps + Sebb Bash + DJ Stresh

Performances

Le Rez-Usine

Benjamin Epps, Sebb Bash and DJ Stresh combine rap, production and turntablism in a night that balances lyrical intensity and vinyl-driven groove. Benjamin Epps brings crisp delivery and narrative tracks from his forthcoming second album, while Sebb Bash’s decades of production history feed deep, sample-rich backdrops. DJ Stresh anchors the set with technical mixing and battle-honed energy. The programme traces personal journeys and hip‑hop lineage, alternating raw punchlines with warm analog textures and club-ready momentum.

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Friday 23 October, 21:00

Arthur Donnot

Performances

Chat Noir

Swiss jazz saxophonist Arthur Donnot returns with his second album Pontica De Alma, meaning « Passerelle de l’âme » in Occitan. The project offers an intimate, airy musical immersion marked by a warm, velvety saxophone tone and a luminous, lyrical approach. At the crossroads of jazz and indie folk, Donnot delivers a heartfelt, original performance accompanied by the new generation of Swiss musicians: Erwan Valazza (guitar), Jules Martinet (bass), Nathan Vandenbulcke (drums) and Mélusine Chapuis (keys).

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Friday 23 October, 19:00

GIMS & Triangle des Bermudes

Performances

Palexpo

GIMS and Triangle des Bermudes deliver a night of hip-hop and French rap, blending commanding vocal delivery with dense, club-rooted production. Immersive visuals and bold lighting sculpt the kinetic momentum as guest artists and DJ sets extend into Baile do Village XXL. The staging balances large-scale spectacle and intimate moments, alternating explosive ensemble passages with close, rhythmic interludes. The overall atmosphere favors physical, communal engagement, where beats and textures reshape familiar songs into a visceral urban experience.

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14 – 24 October

Le Dieu du carnage

Performances

Théâtre Pitoëff

Directed by Elidan Arzoni, this fiery, hilarious staging of Yasmina Reza’s play follows two couples whose polite attempt to resolve a quarrel between their sons collapses into a savage verbal carnage. Performers Sophie Broustal, Vincent Jacquet, Camille Édith Bouzaglo and Frédéric Landenberg unleash sharp, tightly wound exchanges, while Benoît Delaunay’s scenography and Hervé Broillet’s costumes frame escalating social fractures. Danielle Milovic’s lighting and meticulous stagecraft intensify a darkly comic exploration of civility, hypocrisy and unleashed instincts.

In French.

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Cendrillon