Choreographed by María del Mar Suárez (La Chachi), this hybrid flamenco pieces tradition and punk sensibility into a raw, personal language. On stage two musicians and a singer shape a live soundscape that frames La Chachi’s emergence: a dim light reveals her silhouette as she advances and begins an ascension. Her motions coil and break in looping cycles as the music intensifies. Visceral and hypnotic, the performance immerses spectators in concentrated rhythms and fierce corporeal poetry.
Operation Transat’s Le Grand Village transforms public space into a nomadic, poetic microcosm. The itinerant theatre company sets up tents, caravans and open-air spaces where artists, residents and passers-by meet through a varied programme of short plays, object theatre, puppetry, circus, concerts, readings and workshops. Intimate and communal, the installation invites close encounters, spontaneous discoveries and participatory moments, offering playful, moving and theatrical experiences for audiences of all ages.
HENGE deliver a space-rock spectacle that blends rave energy and progressive-rock textures. Since arriving seven years ago the band has earned acclaim — two albums, extensive touring and a Best Live Act award — and their performances feel at once exuberant and slightly uncanny. Propulsive rhythms, swirling textures and playful theatricality create an immersive, joyous atmosphere that oscillates between subversion and warmth, broadcasting a message of hope that leaves audiences amused and exhilarated.
Returning for its twentieth edition, Les Aubes brings softness and poetry to Geneva mornings. At dawn, intimate musical encounters offer delicate soundscapes that stir the senses, favouring close listening and subtle atmospheres. The programme highlights a variety of acoustic and experimental projects, from solo performances to chamber ensembles, each designed to awaken the city with refined timbres and attentive pacing. A gentle celebration of morning listening and communal presence.
Directed by Louis Bonard, Les Voüéces follows two reclusive women, Rodogonde and Frénéjus, who live atop a high tower. Louis Bonard and Michèle Gurtner wrote and perform a piece in an enchanted pseudo‑medieval tongue where voice, embroidery and play weave a poetic fable. The performance probes silence, the passage of time, guilt and the unsettling presence of other voices — ghostly, culpable or absurd — with a blend of darkness and dark humour.
In French.
Two unexpected deities arrive by bicycle, guided by a capricious GPS, carrying a very serious object: the Wheel of Fortune. They need the audience—especially children—to spin the wheel and together invent a story about a child to whom nothing seems to go right. Misfortunes pile up, luck sticks to the sneakers and solutions must be imagined. A participatory musical tale where chance and imagination shape a different story each time.
In French. Kids ages 5 and up.
Festival OSR returns for its seventh edition with the Orchestre de la Suisse Romande presenting a three‑evening programme that spans classical repertoire, a live ciné‑concert of Hitchcock’s cinema, and a jazz evening paying tribute to Joséphine Baker. Outdoor on a grassy setting, the series favours intimate, atmospheric performances where orchestral colours, cinematic soundscapes and swinging rhythms meet. Artistic direction highlights collaboration between soloists and the ensemble, offering evocative, finely crafted interpretations and a vibrant communal listening experience.
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