18 November – 10 January

Inner Light

Free

Inner Light is a collective of Kim Coussée, Eliott Villars and Gaïa Vincensini whose practice sits between art, craft and fashion. They transform printmaking into wearable forms, turning engraving into clothing and rethinking serial techniques. Working from a shared studio, their eight‑handed production applies alternative materials and unconventional methods to everyday objects, positioning craft as a radical gesture within contemporary fashion. For this project the group activates a street-facing storefront, using surfaces and shop furniture as components of the installation.

Rue de Chantepoulet 1-3

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Photo Credit: Courtesy Inner Light

8 October – 28 November

إنتظار En Attendant

Art & Exhibits

ICAM – l'Olivier

Abdul Rahman Katanani presents a contemplative exhibition curated by Barbara Polla that gathers artistic, philosophical and literary propositions to rethink the world and imagine solutions. The centrepiece is the drawings series «The Story Portals», created for this presentation. Through narratively charged drawings, Katanani probes memory, migration and collective imaginaries, inviting reflection on how visual storytelling can articulate ethical and social alternatives. The work balances poetic gesture and rigorous conceptual inquiry.

Opening: 8 October

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6 – 10 November

Public Visit of the Temporary Exhibition: Joana Hadjthomas & Khalil Joreige

Art & Exhibits

SaSA

Public visits in French offer an encounter with Joana Hadjthomas and Khalil Joreige’s temporary exhibition, where film, photography, installation, and archival material open a nuanced reflection on memory, image-making, and historical traces. The works explore how personal and collective narratives overlap, revealing tensions between absence, testimony, and representation.

In French.
10 November: A French Sign Language visit, led by Noha El Sadawy, a deaf cultural mediator, provides an inclusive interpretation of the exhibition for deaf and hard-of-hearing audiences and for people learning LSF.

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18 September – 15 November

Short Ass Attention Span #3

Art & Exhibits

L'Arcade

Conceived by artist Pauline Coquart, Short Ass Attention Span #3 mixes literary experiment and live performance, assembling texts that range from apocalyptic sketches to risqué autofiction and political essays on sexuality. Editors and collaborators Ethan Assouline and Gaia Vincensini shaped the selection and the edition’s visual identity, while attentive editorial direction and inventive layout treat writing as performative material. The project foregrounds plural contemporary voices, shifting between intimate confession, sharp aphorism and sprawling narrative to create a charged, porous atmosphere.

Opening: 17 September, 18:00
Geneva Art Week: 17-21 September
Guided Tour: 20 September, 11:00
Late night opening: 12 November, 18:00
Closing: 15 November, 16:00

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28 October – 16 January 2028

Exposition 1602 & Compagnie

Art & Exhibits

Maison Tavel

Compagnie de 1602 presents a centenary exhibition that unveils the behind-the-scenes life of a long-standing civic tradition.
Through costumes, ceremonial objects, musical gestures and archival memories, the display juxtaposes individual passions with the collective narrative of communal celebration. The presentation foregrounds performative ritual, material culture and intergenerational transmission, revealing how public pageantry sustains identity and belonging. It evokes the sustained energy of popular commemoration and the work required to keep ceremonial histories alive.

Opening: Tuesday 27 October, 18:00 – 20:00

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Permanent exhibition

The World of Illusions

Art & Exhibits

Museum of Illusions

Your eyes are about to lie to you. More than 60 optical illusions, holograms, and immersive rooms play with scale, perspective, and perception in this hands-on museum. Unashamedly fun, highly photogenic, and an easy pick for families, friends, or a rainy Geneva afternoon.

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16 September – 28 November

Roméo Mivekannin

Art & Exhibits

Gowen Contemporary

Beninese-born artist Roméo Mivekannin presents a series of paintings that investigate intimacy, memory and cultural identity. Working predominantly in acrylic on canvas, his canvases combine figurative portraiture with bold colour fields and textured surfaces. Works such as Anna in Red Kimono (2024) demonstrate a careful attention to costume, gesture and materiality, negotiating personal narrative and broader diasporic histories. The exhibition emphasises painterly craft and the tensions between representation and abstraction.

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Inner Light